In the summer of 1964, San Francisco was ground zero for an historic culture clash as the site of the 28th Republican National Convention and the launch of the Beatles’ first North American tour. In the midst of the excitement, a young photographer new to the city was snapping pictures not of the politicians or musicians but of the people in the crowds and on the streets. Arthur Tress, an accomplished American photographer, made more than nine hundred negatives in San Francisco during the spring and summer of 1964 — among his earliest documentary work. Exulting in juxtapositions of the mundane and the absurd, Tress captured the chaos of civil rights demonstrations and political rallies, the idiosyncratic moments of San Francisco’s locals, the peculiar contents of shop windows, a miscellany of odd signs and much more.

Tress developed and printed his black-and-white negatives in a communal darkroom in the city’s Castro district before departing San Francisco in the fall of 1964. The vintage prints were packed away in his sister’s house, coming to light again only in 2009. The rediscovery of this forgotten body of work inspired the photographer to revisit his early negatives, and Arthur Tress: San Francisco 1964 is the delightful outcome.