Rouart, Denis, and Jean–Dominique Rey, Monet: Nymphéas ou Les Miroirs du Temps, Paris: Fernand Hazan, 1972, repr. pg. 177.
Claude Monet, Paintings in California Collections, exh. cat., San Francisco: Fine Arts Museums of San Francisco, 1974, pg. 17, repr. pg. 31, no. 11.
Wise, Susan, ed., Paintings by Monet, exh. cat., Chicago: The Art Institute of Chicago, 1975, pg. 174, repr. pg. 175, no. 118.
Bordeaux, Jean–Luc, “Un Musée Français en Californie,” Connaissance des Arts, no. 299 (January 1977), pgs. 32–41, repr.
Sherman, Lila, Art Museums of America: A guide to the Collections in the United States and Canada, New York: William Morrow and Company, 1980, pg. 36.
Wilson, William, The Los Angeles Times Book of California Museums, New York: H.N. Abrams, 1984, repr. pg. 81, pg. 82.
Wildenstein, Daniel, Claude Monet: Biographie et Catalogue Raisonné, vol. 4, Lausanne and Paris: Bibliothèque des Arts, 1985, pg. 252, repr. pg. 253, no. 1788.
Geelhaar, Christian, Nympheas: Impression, Vision, exh. cat., Basel: Kunstmuseum Basel, 1986, repr. pg. 68, pg. 175, no. 30.
Forbes, James, “Gallery Dedications,” Triptych (Summer 1988), pg. 18, repr.
Nash, Steven A., Lynn Federle Orr and Marion C. Stewart, European Masterworks from the Fine Arts Museums of San Francisco, exh. Cat., Tokyo: Tokyo Metropolitan Art Museum, 1992, pg. 251, no. 63, repr., entry by Steven A. Nash.
Nash, Steven A., Lynn Federle Orr and Marion C. Stewart, Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco, exh. cat., Canberra: National Gallery of Australia, 1992, pgs. 164, 166, repr. pg. 165, no. 63, entry by Steven A. Nash.
Nash, Steven A., Lynn Federle Orr, Marion C. Stewart, Masterworks of European Painting in the California Palace of the Legion of Honor, San Francisco: Fine Arts Museums of San Francisco, 1999, pg. 138, repr., entry by Steve A. Nash.
Wildenstein, Daniel, Claude Monet: Biographie et Catalogue Raisonné, vol. 4 (Nos. 1596–1983 et Les Grandes Décorations), Cologne: Taschen, 1999, repr. pg. 842, pg. 843, no. 1788.
Lemonedes, Heather, Lynn Federle Orr, and David Steel, Monet in Normandy, exh. cat., San Francisco: Fine Arts Museums of San Francisco, 2006, pgs. 168, 172, repr. pg. 171, no. 59, entry by Lynn Federle Orr.
Rouart, Julie (with Camille Sourisse), “Catalogue Raisonneé,” in Monet Water Lilies: The Complete Series, eds. Jean Dominique Rey and Denis Rouart, Paris: Flammarion, 2008, pg. 131, repr.
Cogeval, Guy, et. al., Claude Monet: 1840–1926, exh. cat., Paris: Réunion des musées nationaux, 2010, repr. pg. 341, pg. 371, no. 166.
Rubin, James H., “Near to Far: Monet’s World of Water Lilies,” in Monet’s Water Lilies: An Artist’s Obsession, ed. Eric Zafran, Hartford: Wadsworth Atheneum Museum of Art, 2011, pg. 31, no. 7, fig. 25.
Buron, Melissa, “Monet’s ‘Water Lilies’ Return to the Legion,” Fine Arts (Winter/Spring 2012), pg. 22, repr.
Tucker, Paul Hayes, “Monet’s Nympheas,” in Monet: Beyond Impressionism, exh. cat., ed. Anne–Birgitte Fonsmark, Copenhagen: Ordrupgaard, 2016, pg. 168, fig. 116, repr. pg. 169 (also repr. on cover).
Shackelford, George T.M., ed., Monet: The Late Years, Fort Worth: Kimbell Art Museum, 2019, repr. pg. 126, pgs. 127, 210, no. 11.