In a powerful conceit, Rodin highlighted a moment from the
biblical parable of the prodigal son, when the wayward child
falls to his knees and begs his father for forgiveness. Originally
included on The Gates of Hell, the figure developed into an
independent composition: a universal symbol of hopelessness
and despair. The smooth skin, rocky outcropping, and traces
of chisel marks confirm this bronze was cast after a marble version. An unusual blue patina shows Rodin’s interest in working
with collaborators on experimental colorations. The figure and
rock were cast separately; the open base allows us to see where
the two parts were joined.