Bryan, Michael, A Catalogue of that Superlatively Capital Assemblage of Valuable Pictures, Formed From the Sales of the Several Celebrated Collections of M. de Calonne, Baron Nagel, and Sir Joshua Reynolds: with Other Capital Pictures of the First Class…, Auction catalogue, London: S. Low, April 27, 1795, pg. 19, lot 139.
Bryan, Michael, A Catalogue of a Most Capital Assemblage of Valuable Pictures, Auction catalogue, London: Mr. Bryan’s Gallery, January 15, 1796, pg. 11, lot 103.
Bryan, Michael, A Catalogue of a Most Capital Assemblage of Valuable Pictures, Auction catalogue, London: Mr. Bryan’s Gallery, January 27, 1796, pg. 11, lot 103.
Exhibition of the Works of the Old Masters, London: Wm. Clowes and Sons, 1870, pg. 32, no. 148.
Cust, Lionel, Anthony Van Dyck, London: G. Bell and Sons, 1900, pgs. 75, 94, 254, no. 29.
Von Wurzbach, Alfred, Niederländische Kunstler-Lexikon, Vol. 1, Vienna: Halm und Goldmann, 1906, pg. 463.
Schaeffer, Emil, Van Dyck, Des Meisters Gemälde in 537 Abbildungen, Stuttgart: Deutsche Verlags-Anstalt, 1909, pg. 508 n. 284-285.
Graves, Algernon, A Century of Loan Exhibitions, 1813-1912, Vol. 4, London: Algernon Graves, 1914, pg. 1516.
Parke-Bernet Galleries, Queen Anne and Georgian Furniture, Two Celebrated Series of XVII Century Tapestries, Paintings Including Works by Rubens and Van Dyck… Belonging to the Estate of Ruth Vanderbilt Twombly, Auction catalogue, Parket-Bernet Galleries, January 6-8, 1955, pg. 106, lot 393, repr. pg. 107.
Mauquoy-Hendrickx, Marie, L’Iconographie d’Antoine van Dyck: Catalogue Raisonné, Brussels: Académie Royale de Belgique, 1956, no. 149.
“Accessions of American and Canadian Museums,” The Art Quarterly 19, no. 4 (Winter 1956), pgs. 421, 423.
Comstock, Helen. “The Connoisseur in America,” The Connoisseur 138 (September 1956), pg. 74.
Wescher, Paul, “Neuerwerbungen des de Young Museums in San Francisco,” Kunstchronik 10, no. 2 (October 1957), pgs. 310-312.
Jaffé, Michael, “Van Dyck Portraits in the De Young Museum and elsewhere,” The Art Quarterly 28 no. 1-2 (1965), pgs. 41-42, 45, 53, figs. 1-2.
European Works of Art in the M. H. de Young Memorial Museum, Berkeley: Diablo Press, 1966, pg. 107.
Morse, John D., Old Master Paintings in North America, New York: Abbeville Press, 1979, pg. 110.
Larsen, Erik, L’opera completa di Van Dyck, 1626-1641, Vol. 2, Milan: Rizzoli, 1980, pgs. 110-111, no. 784, pl. 39 and 40.
Haverkamp-Begemann, Egbert, “Dutch and Flemish Masters of the Seventeenth Century,” Apollo 111, no. 217 (March 1980), pgs. 203-204, fig. 4.
Brown, Christopher, Van Dyck, London: Phaidon, 1982, pg. 105, 161.
Larsen, Erik, The Paintings of Anthony van Dyck, Freren: Luca Verlag, 1988, Vol. 1, pgs. 343, 345, fig. 372, Vol. 2, pg. 324, no. 822.
Polleross, Friedrich B., Das sakrale Identifikationsporträt: Ein höfischer Bildtypus vom 13. Bis zum 20. Jahrhundert, Worms: Wernersche Verlagsgesellschaft, 1988, Part 1, pg. 153, Part 2, fig. 38.
Bauman, Guy C. and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp: Fonds Mercator, 1992, pg. 333, no. 218.
Orr, Lynn Federle in Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco, exh. cat., Canberra: Australian National Gallery, 1992, no. 9.
Nash, Steven A., Lynn Federle Orr, and Marion C. Stewart, Masterworks of European Painting in the California Palace of the Legion of Honor, San Francisco: Fine Arts Museums of San Francisco, 1999, pg. 71.
Horst Vey in Susan Barnes, Nora de Poorter, Horst Vey, and Oliver Millar, Van Dyck: A Complete Catalogue of the Paintings, New Haven: Yale University Press, 2004, pg. 316, no. III.86.
Burgard, Timothy Aglin and Daniell Cornell, Masterworks of American Painting at the de Young, San Francisco: Fine Arts Museums of San Francisco, 2005, pg. 150, 152, fig. 40.2.
Eaker, Adam in Stijn Alsteens and Adam Eaker, Van Dyck: The Anatomy of Portraiture, New Haven: Yale University Press, 2016, pgs. 109, 111.