Catalogue des tableaux des meilleurs maîtres italiens, François, allemands et flamands, recuillis par feu Mr. George Guillaume Bögner à Francfort sur le Mein et qui seron mis en vente au plus offrant par les héritiers du défunt, Auction catalogue, Frankfurt, 1778, lot 55.
Tentoonstelling van zeldzame en belangrijke schilderijen van oude meesters, in de kunstzalen der Maatschappij “Arti et Amicitiae,” ten behoeve van het Weduwen- en Weezenfonds, Amsterdam: Van Munster, 1867, pg. 25, no. 163.
Gorter, S., “Eene tentoonstelling van oude kunst. Nalezing en nabetrachting,” De Gids 30 (1867), pg. 480.
Vosmaer, C., Rembrandt Harmens van Rijn: Sa vie et ses oeuvres, The Hague: M. Nijhoff, 1868 pg. 427.
Van Westrheene, T., “De tentoonstelling van schilderijen van oude meesters te Amsterdam,” Kunstchroniek 9 (1868), pg. 41.
Tentoonstelling van schilderijen van oude meesters in de zalen van het Gothische Paleis in het noordeinde te ’S Gravenhage ten behoeve der Watersnoodlijdenden onder de hooge bescherming van Hunne Majesteiten den Koning en de Koningin, The Hague 1881, pg. 35, no. 247.
De Stuers, V., “De tentoonstelling van oude schilderijen te ’s Gravenhage,” Nederlandse Kunstbode 3 (1881), pg. 92-93.
Exposition néerlandaise de beaux-arts organisée au benefice de la société néerlandaise de bienfaisance à Bruxelles, exh. cat., Brussels: E. Guyot, 1882, pg. 87, no. 215.
Von Bode, Wilhelm, Studien zur Geschichte der holländischen Malerei, Brunswick: F. Vieweg und Sohn, 1883, pg. 559, no. 17.
Dutuit, Eugène, Tableaux et dessins de Rembrandt: Catalogue historique et descriptif, Paris: A. Lévy, 1885, pg. 53, 64, 66, no. 364.
Von Wurzbach, Alfred, Rembrandt-Galerie, Stuttgart: P. Neff, 1886, pg. 79, no. 346.
Bredius, Abraham and G. H. Veth, “Poulus Lesire,” Oud Holland 5 (1887), pg. 51 n. 2.
Bredius, Abraham, “De portretten van Joris de Caullery,” Oud Holland 11, no. 2 (1893), pgs. 127-128.
Catalogue from the Collection of Charles T. Yerkes, Chicago: Rand, McNally & Co., 1893, no. 48, repr.
Michel, Émile, Rembrandt: His Life, His Work, and His Time, London: William Heinemann, 1894, pgs. 117-118, repr.
Von Bode, Wilhelm, The Complete Works of Rembrandt, Vol. 2, translated by Florence Simonds, Paris: Charles Sedelmeyer, 1897, pg. 48, repr. pg. 49, no. 84.
Moes, E. W., Iconographia Batava, Amsterdam: Frederik Muller & Co., 1897, Vol. 1, pg. 173, no. 1512.
Scheurleer, D. F., Geschiedkundige tentoonstelling van het Nederlandsche zeewezen te ’s Gravenhage, The Hague: Mouton, 1900, pg. 116, no. 978.
Neumann, Carl, Rembrandt, Vol. 1, Berlin: 1902, pg. 315.
Michel, Émile, Rembrandt: His Life, His Work, and His Time, translated by Florence Simmonds, edited by Frederick Wedmore, London: William Heinemann, 1903, 3rd ed., pg. 90, repr. pg. 91.
Catalogue of Paintings and Sculpture in the Collection of Charles T. Yerkes, Esq., New York, Boston: A. W. Elson, 1904, no. 84, repr.
Valentiner, Wilhelm Reinhold, Rembrandt: Des Meisters Gemälde, Stuttgart: Deutsche Verlags-Anstalt, 1909, 3rd ed., pg. 85, 552, repr.
American Art Association, The Charles T. Yerkes Collection of Very Valuable Paintings, Ancient Oriental Rugs, and Beautiful Old Tapestries, Auction catalogue, New York: American Art Association, April 5-8, 1910, lot 84.
American Art Association, Catalogue de luxe of ancient and modern paintings belonging to the estate of the late Charles T. Yerkes, Auction catalogue: New York: American Art Association, April 5-8, 1910, lot 84.
Von Wurzbach, Alfred, Niederländisches Künstler-Lexikon, Vol. 2, Vienna: Halm und Goldmann, 1910, pg. 406.
Martin, W., “Austellung altholländischer Bilder in Pariser Privatbesitz II,” Monatshefte für Kunstwissenschaft 4 (1911), pg. 504.
Martin, W., “De tentoonstelling van oud-Hollandsche schilderijen te Parijs,” Elsevier’s Geïllustreerd Maandschrift 42 (1911), pg. 170-171.
Exposition des Grands et Petits Maîtres Hollandais du XVIIe Siècle, Paris: Salle du Jeu de Paume, 1911, pg. 23, no. 127.
Veth, J., “Oud-Hollandsche schilderijen te Parijs I,” Nieuwe Rotterdamsche Courant (May 24, 1911), pg. B1.
Hofstede de Groot, Cornelis, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Hollandischen Maler des XVIII Jahrhunderts, nach dem Muster von John Smith’s catalogue raisonné, Vol. 6, Esslingen a. N.: Neff, 1915, pg. 270, no. 633.
Hofstede de Groot, Cornelis, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, Based on the Work of John Smith, Vol. 6, translated and edited by Edward G. Hawke, London: Macmillan and Co., 1916, pgs. 304-305, no. 633.
Netscher, Frans, ed., “A. Preyer,” De Hollandsche Revue 23 (1918), pg. 328-331, 390.
Errera, Isabella, Répertoire des Peintures Datées, Brussels: Librairie National d’Art et d’Historie, 1920, pg. 199.
Valentiner, Wilhelm Reinhold, Rembrandt Paintings in America, New York: S. W. Frankel, 1931, no. 21, repr.
Benesch, Otto in Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart, edited by Ulrich Thieme and Felix Becker, Vol. 29, Liepzig: E. A. Seeman, 1935, pg. 262.
Benesch, Otto, Rembrandt: Werk und Forschung, Vienna: Gilhofer & Ranschburg, 1935, pg. 12.
Bredius, Abraham, The Paintings of Rembrandt, Vienna: Phaidon Press, 1936, 2nd ed., pg. 8, no. 170, repr.
Pach, Walter, Catalogue of European and American Paintings, 1500-1900, New York: Art Aid Corporation, 1940, pg. 64, no. 86.
Van Gelder, H. E., “Haagsche kunstverzamelingen voor 1900,” Die Haghe Jaarboek, The Hague: N. V. Boek- en Kunstdrukkerij, 1942, pg. 14, fig. 5.
A Loan Exhibition of Rembrandt, New York: Wildenstein, 1950, pg. 17, no. 4, pl. H.
“Accessions of American and Canadian Museums,” The Art Quarterly 19, no. 4 (Winter 1956), pgs. 420-421.
Comstock, Helen, “The Connoisseur in America,” The Connoisseur 138 (Sept. 1956), pg. 73.
Selingman, Germain, Merchants of Art: 1880-1960, Eighty Years of Professional Collecting, New York: Appleton-Century-Crofts, 1961, pgs. 120, 202, pl. 31.
Bauch, Kurt, Rembrandt Gemälde, Berlin: Walter de Gruyter & Co., 1966, pg. 19, no. 359, repr.
European Works of Art in the M. H. de Young Memorial Museum, Berkeley: Diablo Press, 1966, pg. 121, repr.
Gerson, Horst, Rembrandt Paintings, translated by Heinz Norden, edited by Gary Schwartz, Amsterdam: Reynal & Co., 1968, pgs. 48, 208, 266, 494, no. 124.
Bredius, Abraham, Rembrandt: The Complete Editions of Paintings, revised by Horst Gerson, London: Phaidon, 1969, 3rd ed., pgs. 145, 562, no. 170, repr.
Lecaldano, Paolo et al., Rembrandt, Milan: Rizzoli, 1969, pg. 97, no. 75, repr.
Bolten, Jaap and H. Bolten-Rempt, The Hidden Rembrandt, Oxford: Phaidon, 1978, pg. 176, no. 96, repr.
Strauss, Walter L. and Marjon van der Meulen, with the assistance of S. A. C. Dudok van Heel and P. J. M. de Baar, The Rembrandt Documents, New York: Abaris Books, 1979, pgs. 313, 315, 490, repr. pg. 314.
Haverkamp-Begemann, Egbert, “Dutch and Flemish Masters of the Seventeenth Century,” Apollo 111 (March 1980), pgs. 204-205, 211 n. 7, fig. 5.
Brown, Christopher, Rembrandt: The Complete Paintings, Vol. 1, London: Granada, 1980, pg. 48, no. 87.
Wilson, William R., The Los Angeles Times Book of California Museums, New York: Harry N. Abrams, 1984, pg. 58-62, pl. 44.
Schwartz, Gary, Rembrandt: His Life, His Paintings, New York: Viking, 1985, pg. 69, no. 62.
Bruyn, Josua et al., A Corpus of Rembrandt Paintings, Vol. 2, translated by D. Cook-Radmore, The Hague: M. Nijhoff, 1986, pgs. 7, 8, 26, 92, 97, 106, 199-205, no. A53, repr.
Sutton, Peter C., A Guide to Dutch Art in America, Grand Rapids: Eerdmans, 1986, pgs. 274-275, fig. 412.
Tümpel, Christian, Rembrandt, Antwerp: Fonds Mercator, 1986, pgs. 99, 412, no. 196, repr.
The Fine Arts Museums of San Francisco: Selected Works, San Francisco: Fine Arts Museums of San Francisco, 1987, pg. 77, repr.
Broos, Ben, Great Dutch Paintings from America, exh. cat., Zwolle: Waanders, 1990, pgs. 369-375, no. 50, repr. pg. 371.
Slatkes, Leonard J., Rembrandt: Catalogo complete dei dipinti, Florence: Cantini, 1992, pg. 248, no. 155.
Nash, Steven A., Lynn Federle Orr, and Marion C. Stewart, Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco, exh. cat., Canberra: Australian National Gallery, 1992, pg. 38-40, no. 12.
Tümpel, Christian, Rembrandt: All the Paintings in Color, Antwerp: Fonds Mercator, 1993, pgs. 99, 412, no. 196.
Buijsen, Edwin and Charles Dumas, Haagse Schilders in de Gouden Eeuw, Zwolle: Waanders, 1998, no. 16.
Nash, Steven A., Lynn Federle Orr, and Marion C. Stewart, Masterworks of European Painting in the California Palace of the Legion of Honor, San Francisco: Fine Arts Museums of San Francisco, 1999, pg. 74.
Schama, Simon, Rembrandt’s Eyes, New York: Random House, 1999, pg. 340.
Lumpkin, Libby, ed., The Bellagio Gallery of Fine Art: European and American Masters, Las Vegas: Bellagio Gallery of Fine Art, 1999, pgs. 28-29, 31 n. 1.
White, Christopher and Quentin Buvelot, eds., Rembrandt By Himself, Zwolle: Waanders, 1999, pg. 152, fig. 38a.
Gordenker, Emilie E. S., “The Rhetoric of Dress in Seventeenth-Century Dutch and Flemish Portraiture,” The Journal of the Walters Art Gallery 57 (1999), pg. 102 n. 23.
Chong, Alan, ed., Rembrandt Creates Rembrandt: Art and Ambition in Leiden, 1629-1631, Zwolle: Waanders, 2000, pg. 19, fig. 14.
Dickey, Stephanie, Rembrandt: Portraits in Print, Philadelphia: John Benjamin Publishing Co., 2004, pgs. 175 n. 44, 200 n. 11.
Bull, Duncan, ed., Rembrandt, Caravaggio, Zwolle: Waanders, 2006, pgs. 94-95, entry by Taco Dibbits.
Lammertse, Friso and Jaap van der Veen, Uylenburgh & Son: Art and Commerce from Rembrandt to De Lairesse, 1625-1675, Zwolle: Waanders, 2006, pgs. 135, fig. 79.
Buvelot, Quentin, ed., Dutch Portraits: The Age of Rembrandt and Frans Hals, translated by Beverly Jackson, Zwolle: Waanders, 2007, no. 51.
Keyes, George S., Tom Rassieur, and Dennis P. Weller, Rembrandt in America: Collecting and Connoisseurship, New York: Skira Rizzoli, 2011, pgs. 70, 79, 109 n. 36, 116, 149, 179, no. 11, repr. pg. 68.
Ganz, James A., “Portraiture: Faces and Formulas” in Rembrandt’s Century, San Francisco: Fine Arts Museums of San Francisco, 2013, pg. 33, fig. 28.
Van de Wetering, Ernst with collaboration of Carin van Nes, A Corpus of Rembrandt Paintings, Vol. 4, translated and edited by Murray Pearson, Dordrecht: Springer, 2015, pg. 516, no. 70.
Pénot, Sabine, ed., Rembrandt–Hoogstraten: Colour and Illusion, Veurne: Hannibal, 2024, pgs. 16, 255, fig. 4.