The sitter, Hyacinthe Gabrielle Roland (later Marchioness Wellesley) (1760?-1816), United Kingdom By descent to her daughter Hyacinthe Mary Littleton, Lady Hatherton (1789?-1849), Teddesley Hall, Staffordshire, United Kingdom Hatherton family, Teddesley Hall, Staffordshire, United Kingdom, until the 1930s Lord Sanderson of Ayot (1894-1971), by 1964 Sold, London, Christie’s, June 26, 1964, lot 74 [Duits Ltd., London, by 1965] [1] [Schaeffer Galleries, New York, by 1967] [2] [M. Wildenstein] [3] Elizabeth Parke Firestone (1897–1990), Newport, Rhode Island Her sale, New York, Christie’s, March 22, 1991, lot 654 [Purchased by Guy Sainty] [4] [Colnaghi, New York] Sold to the Fine Arts Museums of San Francisco, 1991 [1] Duits, Quarterly 9, no. 9 (Winter 1965): 12. [2] [3] Per Christie’s 1991, p. 110. [4] Per curatorial note, object file, Fine Arts Museums of San Francisco.

New York, Stair Sainty Matthiesen; London, Matthiesen Fine Art, Autumn 1991. “Eighty years of French painting: from Louis XVI to the Second Republic,” no. 5. Canberra, Australia National Gallery, November 14, 1992–January 31, 1993; Melbourne, National Gallery of Victoria, February 19–May 10, 1993; Auckland City Art Gallery, June 5–August 29, 1993. “Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco,” no. 49. Paris, Grand Palais, September 23, 2015–January 11, 2016; New York, The Metropolitan Museum of Art, February 15–May 15, 2016; Ottawa, Musée des Beaux–Arts du Canada, June 10–September 11, 2016. “Vigée Le Brun: Woman Artist in Revolutionary France,” no. 48.

Vigée-Le Brun, Élisabeth, Souvenirs de Madame Louise–Élisabeth Vigée–Lebrun: de l'Académie Royale de Paris, de Rouen, de Saint–Luc de Rome et d'Arcadie, de Parme et de Bologne, de Saint–Pétersbourg, de Berlin, de Genève et Avignon, vol. 2, Paris: H. Fournier, 1835, pgs. 39, 368. Nolhac, Pierre de, Madame Vigée–Le Brun: Peintre de la reine Marie–Antoinette, Paris: Goupil & Cie., 1908, pg. 94. Nolhac, Pierre de, Madame Vigée–Le Brun: Peintre de Marie–Antoinette, Paris: Goupil & Cie., 1912, pg. 162. Helm, W.H., Vigée–LeBrun: 1755– 1842, Her Life, Works, and Friendships, Boston: Small, Maynard and Co., 1915, pgs. 111, 219. Blum, André, Madame Vigée–LeBrun; Peintres des Grandes Dames du XVIII Siècle, Paris: H. Piazza, 1919, pgs. 56, 100. Duits, C., “Portrait of Mademoiselle Roland (Later the Marchioness Wellesley),” Duits Quarterly, no. 9 (Winter 1965), pgs. 11–16, repr. pg. 12. Baillio, Joseph, “Vigée Le Brun and the Classical Practice of Imitation,” in Paris: Center of Artistic Enlightenment, eds. George Mauner, Jeanne Chenault Porter, et. al., University Park, PA: Penn State University Press, 1988, pg. 102, pg. 124, fig. 4–25. Eighty years of French painting: from Louis XVI to the Second Republic, exh. cat., New York: Stair Sainty & London: Matthiesen Fine Art, 1991, pgs. 18–20, no. 5, repr. Hassell, Christa von, “Sammlung Firestone, Christie’s New York,” Weltkunst, no. 9 (March 1991), pg. 1340, repr. Stewart, Marion C., “Recent Acquisition: A Portrait by Vigée Le Brun.” Triptych, no. 61 (April–June 1992), pg. 24, repr., 25. The Burlington Magazine 133, no. 1063 (October 1991), pg. xxxvi, repr. Hall, Nicholas H.J., Colnaghi in America: A survey to Commemorate the First Decade of Colnaghi in New York, New York: Colnaghi, 1992, repr., n.p. Wintermute, Alan, The French Portrait: 1550–1850, New York: Colnaghi, 1996, pg. 60, fig. 43, pg. 62. Nash, Steven A., Lynn Federle Orr, and Marion C. Stewart, Masterworks of European Painting in the California Palace of the Legion of Honor, San Francisco: Fine Arts Museums of San Francisco, 1991, pg. 106, repr., entry by Marion C. Stewart. Nash, Steven A., Lynn Federle Orr, and Marion Stewart, eds., Rembrandt to Renoir: European Masterpieces from The Fine Arts Museums of San Francisco, exh. cat., Canberra: Australian National Gallery, 1992, no. 49, repr., entry by Marion Stewart. Bryant, Julius, Apsley House: The Wellington Collection, London: English Heritage, 2007, pg. 40, repr. Elliot, Virgil, Traditional Oil Painting; Advanced Techniques and Concepts from the Renaissance to the Present, New York: Watson–Guptill, 2007, pg. 129, repr. Brilliant, Virginia, ed., A history of taste: collecting French & Italian old master paintings for America, exh. cat., London: Robilant + Voena, 2010, pg. 78, fig. 1, pg. 80, entry by Mercier Kinney. Gereben, Janos, “Who are those people in the paintings?,” The San Francisco Examiner, March 9, 2010, pg. 19, repr. Baillio, Joseph, Katharine Baetjer, and Paul Lang, eds., Vigée Le Brun, exh. cat., New York: The Metropolitan Museum of Art, 2016, pgs. 152, 153, repr., no. 48, entry by Stéphane Guégan. Baillio, Joseph, “The Artistic and Social Odyssey of Elisabeth Louise Vigée Le Brun,” in Vigée Le Brun, exh. cat., New York: The Metropolitan Museum of Art, 2016, pg. 25.