As provided by the Kress Foundation: https://www.kressfoundation.org/kress-collection/repository/fine-arts-museums-of-san-francisco:

Henry Petty-Fitzmaurice Lansdowne (1780-1863), 3rd Marquess, Bowood Hall, Wiltshire, from 1844;

By inheritance to Henry Petty Fitzmaurice Lansdowne (1816-1866), 4th Marquess, Bowood Hall;

By inheritance to Henry Charles Keith Petty Fitzmaurice Lansdowne (1845-1927), 5th Marquess, Bowood Hall;

By inheritance to Henry William Edmund Petty Fitzmaurice Lansdowne (1872-1936), 6th Marquess, Bowood Hall;

Lansdowne Sale, Christie's, London, 7 March 1930, no. 75;

[Frank T. Sabin, London, still in 1937].

Mrs E.S. Borthwick Norton;

Her sale, Christie's London, 15 May 1953, no. 87;

[David Koetser, New York];

Sold to the Samuel H. Kress Foundation on 20 January 1954;

Gift to Fine Arts Museums of San Francisco in 1961

London, Frank T. Sabin Gallery, Summer 1937. “Gems of Painting."

Toronto, The Art Gallery of Toronto, February 12–March 13, 1960. “Titian, Tintoretto, Paolo Veronese,” no. 2.

New York, Salander–O’Reilly Gallery, October 3–November 16, 2000. “Rembrandt and the Venetian Influence.”

Fresno Metropolitan Museum of Art, May 25 – August 3, 2002. “Masterworks from the Albertina."

Paris, Musée du Luxembourg, September 13, 2006–January 21, 2007. “Titien: Le pouvoir en face,” no. 42.

Hamburg Kunsthalle, March 23–May 21, 2017. “Die Poesie der venezianischen Malerei: Paris Bordone, Palma il Vecchio, Lorenzo Lotto, Tizian,” no. 91.

Frankfurt, Stadel Museum, February 13th – May 26th, 2019. “Titian and the Renaissance in Venice.”

Jameson, Anna, Companion to the Most Celebrated Private Galleries of Art in London, London: Saunders and Otley, 1844, pgs. 290, 311.

Waagen, Gustav Friedrich, Treasures of Art in Great Britain, vol. 2, London: John Murray, 1854, pg. 151.

Ambrose, George E., Catalogue of Pictures, Marquess of Lansdowne Collection, London: Woodfall and Kinder, 1897, pg. 113, no. 45.

Christie, Mason & Woods, Ancient and Modern Pictures, Auction catalogue, London: Christie, Manson & Woods, March 7, 1930, pg. 20, repr., lot 75.

Suida, W. E., Tiziano, Rome: Valori plastici, 1933, pgs. 85, 163

Wilde, Johannes, “Zwei Tizian–Zuschreibungen des 17. Jahrhunderts,” in Jahrbuch der kunsthistorischen Sammlungen in Wien 8 (1934), pgs. 164–166, pl. 80.

Tietze, Hans, Tizian, Vienna: Phaidon, 1937, pgs. 207, 328 (pg. 378, fig. 196 in 1950 edition).

Borenius, Tancred, “Gems of Painting,” The Burlington Magazine for Connoisseurs 71, no. 412 (1937), pg. 41, repr. pg. 40.

Christie, Manson & Woods, Catalogue of Pictures by Old Masters, Auction catalogue, London: Christie, Manson & Woods, May 15, 1953, pg. 17, repr., lot 87.

“Forthcoming Sales,” The Burlington Magazine 95, no. 602 (1953), pg. 175

Greig, T. P., “In the Auction Rooms,” The Connoisseur 132 (September 1953), pg. 58.

Berenson, B., Italian Pictures Of the Renaissance Venetian School, vol. 1, London: Phaidon Press, 1957, pg. 190.

Bologna, Ferdinando, “Un doppio ritratto di Tiziano, inedito,” Arte Veneta 11 (1957), pg. 65.

Pallucchini, Rodolfo, Tiziano: Lezioni, vol. 2, Bologna: R. Pàtron, 1954, pgs. 55–56.

Suida, W. E., The Samuel L. Kress Collection, San Francisco: M.H. de Young Memorial Museum, 1955, pg. 16.

Walker, John, “The Kress Collection and the Museums,” Arts Digest 29 (March 1, 1955), pg. 18.

Larsen, Erik, “The Samuel H. Kress Collection at the M. H. De Young Museum,” Apollo 61 (June 1955), pg. 173, fig. II, pg. 174.

Neumeyer, Alfred, “The Samuel H. Kress Collection of the M. H. deYoung Museum in San Francisco,” The Art Quarterly 18, no. 3 (Autumn 1955), pg. 278.

Comstock, Helen, “DeYoung Museum: Gifts from Kress,” The Connoisseur 136 (September 1955), pg. 72.

Comstock, Helen, “Titian’s Unknown ‘Great Friend,’” The Connoisseur 140 (December 1957), pg. 206, repr. pg. 207.

Gore, St. John, “Five Portraits,” The Burlington Magazine 100, no. 667 (1958), pg. 352.

Valcanover, Francesco, All the Paintings of Titian, vol. 3, London: Oldbourne, 1960, pg. 38.

Reitlinger, Gerald, The Economics of Taste, London: Barrie and Rockliff, 1961, pg. 467.

Valcanover, Francesco, All the Paintings of Titian, vol. 3, London: Oldbourne, 1965, pgs. 13, 38, pl. 46b.

Troche, E. Gunter, “Venetian Paintings of the Renaissance at the M.H. de Young Memorial Museum,” The Art Quarterly 28 (Spring, 1965), pgs. 97–98, 102, figs. 7 and 8.

Shapley, Fern R., Paintings from the Samuel H. Kress Collection, Italian Schools, XV–XVI Century, London: Phaidon, 1968, pgs. 184–185, fig. 430.

Pallucchini, Rodolfo, Tiziano, 2 vols., Florence: G.C. Sansoni, 1969, vol. 1., pgs. 133, 294; vol. 2., figs. 354–355.

Wethey, Harold E., The Paintings of Titian: The Portraits, vol. 2, London: Phaidon, 1971, pgs. 26, 102–103, figs. 91, 92.

Fredrickson, Burton and Frederico Zeri, Census of Pre–Nineteenth Century Italian Paintings in North America Public Collections, Cambridge, MA: Harvard University Press, 1972, pg. 633.

Petrocchi, Giorgio, “Scrittori e poeti nella bottega di Tiziano,” in Tiziano e Venezia: convegno internazionale di studi, Venezia, 27 settembre – 1 ottobre 1976, Vicenza: Neri Pozza, 1980, pg. 106.

Whitfeld, Clovis, Discoveries from the Cinquecento, exh. cat., London: Colnaghi & Co., 1982, pg. 82 (under entry for no. 40).

Morita, Yoshiyuki, ed., Asahi Graph Magazine’s Special Issue on Art, Vol. Titian, Tokyo: Orion Press, 1992, fig. 62.

Davis, Charles, “Titian: ‘A Singular Friend,’” in Kunst und Humanismus. Festschrift für Gosbert Schüßler zum 60. Geburtstag, herausgegeben, eds. Wolfgang Augustyn and Eckhard Leuschner, Passau: D. Klinger, 2007, pgs. 261–301.

Marcolini, Giuliana, La Collection Sacrati Strozzi: I Dipinti Restituiti A Ferrara, Milan: Federico Motta, 2005, pg. 110, repr.

Costantini, Morena, et. al., Titien, Le Pouvoir en Faces, exh. cat., Milan: Skira, 2006, pg. 180, repr. pg. 181, no. 42, entry by Tullia Carratu.

Post, Sandra, ed., Die Poesie der venezianischen Malerei: Paris Bordone, Palma il Vecchio, Lorenzo Lotto, Tizian, exh. cat., Hamburg: Hamburger Kunsthalle; Munich: Hirmer, 2017, pg. 248, repr. pg. 249, no. 91.