The artist
[Deposited at Galerie Durand-Ruel, Paris, 1914] [1]
[Sold to Durand-Ruel, Paris,1917]
[Transferred to Durand-Ruel, New York, by 1944]
Sold to the California Palace of the Legion of Honor, 1944
Administrative transfer to the Fine Arts Museums of San Francisco, 1972

[1] Stock no. 4108.

New York, Durand Ruel Galleries, 1918. “Exhibition of Paintings by Renoir,” no. 23.

Possibly Columbus, OH, Columbus Gallery of Fine Art, April–May, 1938. “Relationships between French Literature and Painting in the Nineteenth Century,” no. 14.

Possibly Dallas, TX, Dallas Museum of Fine Arts, January 25–February 22, 1942. “Exhibition of the pendulum swing from classic to romantic in French painting,” X.

San Francisco, California Palace of the Legion of Honor, November 1–30, 1944. “Paintings by Pierre Auguste Renoir: An Exhibition Commemorating the Twentieth Anniversary of the Opening of the Museum,” no cat. no.

San Francisco, California Palace of the Legion of Honor, October 1945. “Renoir Study Exhibition,” no cat. no.

Vancouver Art Gallery, March 24–April 19, 1953. “French Impressionists,” no. 77.

Los Angeles County Museum, July 14–August 21, 1955; San Francisco Museum of Art, September 1–October 2, 1955. “Pierre Auguste Renoir, 1841–1919: Paintings, Drawings, Prints, and Sculpture,” no. 50.

La Jolla, CA, The Art Center, June 15–July 22, 1956. “Great French Paintings,” no. 16.

Riverside, University of California Picture Gallery, October 1–21, 1964. “Landscape Painting: Past and Present,” no. X.

New York, Wildenstein Gallery, October 28–November 27, 1965. “Olympia’s Progeny,” 72.

The Art Institute of Chicago, February 3–April 1, 1973. “Paintings by Renoir,” no. 68.

Denver Art Museum, December 26, 1978–February 18, 1979; New York, Wildenstein & Co., March 14–April 27, 1979; Minneapolis Institute of Arts, May 24–July 1, 1979. “Masterpieces of French Art from the Fine Arts Museums of San Francisco,” no. 36.

London, Hayward Gallery, January 30–April 21, 1985; Paris, Galeries Nationales (Grand Palais), May 14–September 2, 1985; Boston, Museum of Fine Arts, October 9, 1985–January 5, 1986. “Renoir,” no. 92.

Tokyo Metropolitan Art Museum, April 10–June 14, 1992; Fukuoka Art Museum, July 1–26, 1992; Osaka Municipal Museum of Art, August 8–September 13, 1992; Yokohama, Sogo Museum of Art, September 23–October 25, 1992. “European Masters from the Fine Arts Museums of San Francisco,” no. 65.

Canberra, Australian National Gallery, November 14, 1992–January 31, 1993; Melbourne, National Gallery of Victoria, February 19–May 10, 1993; Auckland City Art Museum, June 5–August 29, 1993. “Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco,” no. 65.

Montpellier, Musée Fabre, June 9–September 9, 2007; Grenoble, Musée de Grenoble, October 19, 2007–January 20, 2008. “L’Impressionnisme, de France et d’Amérique,” no cat. no.

Paris, Galeries nationales (Grand Palais), September 23, 2009–January 4, 2010; Los Angeles County Museum of Art, February 14–May 9, 2010; Philadelphia Museum of Art, June 17–September 6, 2010; “Renoir in the 20th Century,” no. 21.

Paintings by Pierre Auguste Renoir, exh. cat., San Francisco: California Palace of the Legion of Honor, 1944, pgs. 11, 42, repr.

MacAgy, Jermayne, “Landscape at Beaulieu by Pierre Auguste Renoir,” Bulletin California Palace of the Legion of Honor 2, no. 9 (December 1944), repr. pg. 66, pgs. 67–70.

Bulletin California Palace of the Legion of Honor 2, no. 10 (January 1945), pg. 76.

Davisson, Gay Drake, “The Mildred Anna Williams Collection,” Bulletin of the California Palace of the Legion of Honor Bulletin 4, nos. 3-4 (July and August, 1946), pg. 28, repr. pg. 30.

California Palace of the Legion of Honor: Illustrated Handbook of the Collections, San Francisco: California Palace of the Legion of Honor, 1946, repr. pg. 61.

Fezzi, Elda, L’Opera completa di Renoir, Milan: Rizzoli, 1972, pg. 120, no. 697, repr. pg. 121.

Maxon, John, Paintings by Renoir, exh. cat., Chicago: Art Institute of Chicago, 1973, no. 68, repr.

White, Barbara Ehrlich, Renoir: His Life, Art, and Letters, New York: Harry N. Abrams, 1984, pgs. 206, 210, repr.

Raeburn, Michael, ed., Renoir, exh. cat., London: Arts Council of Great Britain, 1985, repr. pg. 135, pg. 262, no. 92, repr., entry by John House.

Nash, Steven A., Lynn Federle Orr, Marion C. Stewart, European Masterworks from the Fine Arts Museums of San Francisco, exh. cat., Tokyo: Tokyo Metropolitan Art Museum, 1992, pg. 252, no. 65, entry by Steven A. Nash.

Nash, Steven A., Lynn Federle Orr, Marion C. Stewart, Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco, exh. cat., Canberra: Australian National Gallery, 1992, pg. 170, no. 65, entry by Steven A. Nash.

Kostenevich, Albert, Hidden Treasures Revealed, St. Petersburg and New York: The State Hermitage Museum in association with Harry N. Abrams, 1995, pg. 126, fig. 1.

Nash, Steven A., Lynn Federle Orr, Marion C. Stewart, Masterworks of European Painting, San Francisco: Fine Arts Museums of San Francisco, 1999, pg. 131, repr., entry by Steven A. Nash.

Néret, Gilles, Renoir, Painter of Happiness, Cologne: Taschen, 2001, pg. 295, repr.

Cachin, Françoise, Richard Brettell, eds., L'Impressionnisme, de France et d'Amérique, exh. cat.,
Versailles: Artlys, 2007, pg. 144, repr. pg. 145, entry by Marion C. Stewart.

Einecke, Claudia, and Sylvie Patry, eds., Renoir au XXe siècle, exh. cat., Paris: Réunion des Musées Nationaux, 2009, repr. pg. 209, pg. 210, no. 21, entry by Virginie Journiac.

Einecke, Claudia, and Sylvie Patry, eds., Renoir in the 20th Century, exh. cat., Ostfildern: Hatje Cantz, 2010, repr. pg. 209, pg. 210, no. 21, entry by Virginie Journiac.