-
Social Sharing
If All the World Were Paper and All the Water Sink
This painting’s complex imagery critiques the artist’s work for the US-led Manhattan Project, which created the atomic bombs dropped on Hiroshima and Nagasaki, Japan, in 1945. The central nuclear mushroom cloud is encircled by a blue Greek letter “O” (Omega)—a traditional symbol of the biblical Apocalypse. At the upper right, an owl, a symbol of wisdom, is swallowed by a parrot, a symbol of folly. The skeleton key clutched by the owl has unlocked the secret of nuclear energy, but it also has opened the mythological Pandora’s box of evil, unleashing confetti-like nuclear fallout on the innocent children below.
The foreground figure, derived from a Life magazine photograph of the Olympic decathlon champion Bob Mathias, serves as a surrogate self-portrait of the young artist as a member of the US team that created the atomic bomb. Akin to a godlike creator, Jess looks down upon the curved surface of the earth and watches the nuclear nightmare unfold.
- Artist
- Jess Collins (Burgess Franklin Collins)
- Title
- If All the World Were Paper and All the Water Sink
- Date
- 1962
- Object Type
- Painting
- Medium
- Oil on canvas
- Dimensions
- 38 x 56 in. (96.5 x 142.2 cm); Frame: 47 1/2 x 65 3/4 x 2 1/2 in. (120.7 x 167 x 6.4 cm)
- Credit Line
- Museum purchase, Roscoe and Margaret Oakes Income Fund, Museum Society Auxiliary, Mr. and Mrs. John N. Rosekrans, Jr., Walter H. and Phyllis J. Shorenstein Foundation Fund, Mrs. Paul L. Wattis Fund, Bobbie and Michael Wilsey, Mr. and Mrs. Steven McGregor Read, Mr. and Mrs. Gorham B. Knowles, Mrs. Edward T. Harrison, Mrs. Nan Tucker McEvoy, Harry and Ellen Parker in honor of Steven Nash, Katherine Doyle Spann, Mr. and Mrs. William E. Steen, Mr. and Mrs. Leonard E. Kingsley, George Hopper Fitch, Princess Rainieri di San Faustino, Mr. and Mrs. Richard Madden
- Accession Number
- 1994.31