Untitled Advertisement for Ira Spanierman Gallery Advertisement in Antiques 93, no. 2, (February, 1968), repr. 200 "Accessions of American and Canadian Museums, April–June, 1968." The Art Quarterly 31, no. 4 (Winter 1968): 434, repr. 443.
"La Chronique des Arts," Gazette des Beaux-Arts supplement no. 1201 (Feb. 1969):78, repr 78, fig. 320.Graham, Lanier F., Three Centuries of American Painting, exh. cat. (San Francisco: the M.H. de Young Memorial Museum and the California Palace of the Legion of Honor, 1971), p. 89, cat. 116, repr., p. 91.
Hendricks, Gordon, Albert Bierstadt 1830–1902, exh. cat., (New York: M. Knoedler & Co., Inc., 1972), p. 17 [not in exhibition].
Hendricks, Gordon, Albert Bierstadt: Painter of the American West, (New York: Harry N. Abrams, Inc., in association with the Amon Carter Museum of Western Art, 1974), p. 213, CL-19, repr. 214, fig. 158.
Starr, Kevin, "Albert Bierstadt: The Civilizing Eye," Sierra: The Sierra Club Bulletin 62, no. 9 (Nov.-Dec. 1977): repr. 30.
Young, Mahonri Sharp, "The American School," Apollo 111, no. 217 (Mar. 1980): 246, repr. 246, fig. 14.
"Albert Bierstadt: An Observer of Air, Light and the Feeling of a Place," Triptych (Dec. 1985–Jan. 1986): repr. 16, no. 1, (color).Mills, Shelley, "Albert Bierstadt: An observer of air, light and the feeling of a place," exhibition pamphlet, (San Francisco: Fine Arts Museums of San Francisco, 1985). [1]Harlow, Ann, Bicoastal Artists of the 1870s, exh. cat, (Moraga CA: Saint Mary's College of California, 1992), p. 12, cat. no. 5.
Hutchinson, Elizabeth, “A ‘Narrow Escape’ Albert Bierstadt’s Wreck of the ‘Ancon',” American Art 27, no. 1 (Spring 2013): 57-58, repr. 58, fig. [1] Copy stored in FAMSF object files.