[F. Schnittjer and Son, New York]
[S. Hartveld, New York, by 1947]
James Bomford, London
By descent to his daughter [1]
Sold, London, Sotheby’s, 20 April 1977, lot 74, as “Studio of Cenni di Francesco di Ser Cenni”
[Piero Corsini, New York]
Sold to the Fine Arts Museums of San Francisco, 1978

[1] Per correspondence from John Somerville (Sotheby Parke Bernet) to T.P. Lee (de Young Memorial Museum), July 26, 1979, curatorial file, Fine Arts Museums of San Francisco, the daughter wished to remain anonymous.

Los Angeles, J. Paul Getty Museum, November 13, 2012 – February 10, 2013; Toronto, Art Gallery of Ontario, March 16 – June 16, 2013. “Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350,” no. 58.

Tanner, Marie, “Chance and Coincidence in Titian’s Diana and Actaeon,” The Art Bulletin 56, (December 1974), pgs. 538-539, fig. 5, as Florentine School.

Watson, Paul F., and Victoria Kirkham, “Amore e Virtù: Two Salvers Depicting Boccaccio’s ‘Comedia delle Ninfe Fiorentine’ in the Metropolitan Museum,” Metropolitan Museum Journal 10 (1975), pg. 49n52.

Sotheby Parke Bernet & Co., Fine Old Master Paintings, Auction catalogue, London: Sotheby Parke Bernet & Co., April 20, 1977, pg. 43, lot 74, plate XII.

“Portrait of Justice, ”San Francisco Examiner & Chronicle, August 28, 1979, pg. 328, repr.

“Old Masters for the Museums, Recent Acquisitions,” Apollo 111, no. 217 (March 1980), pg. 246, figs. 2, 3.

“La Chronique des Arts,” Gazette des Beaux Arts, no. 1346 (March 1981), pg. 30, no. 160, fig. 160.

Miziolek, Jerzy, “Meleagro, Diana e Atteone su un cassone fiorentino nel Museo Nazionale di Varsavia,” Bulletin du Musée National de Varsovie 37, nos. 1–2 (1996), pgs. 25, 27, 34, fig. 14.

Nash, Steven A., Lynn Federle Orr, and Marion C. Stewart, Masterworks of European Painting, San Francisco: Fine Arts Museums of San Francisco, 1999, repr. pg. 38, pg. 39, entry by Lynn Federle Orr.

Sciacca, Christine, ed., Florence at the Dawn of the Renaissance, Painting and Illumination, 1300–1350, exh. cat., Los Angeles: The J. Paul Getty Museum, 2012, pgs. 382-385, no. 58, repr. pgs. 383, 384, fig. 5.36, entry by Bryan Keene.

Bourda, Louise, “Art in Florence after the Black Death” in Artistic Centers of the Italian Renaissance, Florence, ed. Francis Ames–Lewis, New York: Cambridge University Press, 2012, pgs. 113-115, fig. 61.

Keene, Bryan C., “A Call to Arms! Heraldry in Renaissance Florence (And a Mystery You Can Help Solve),” The Getty Iris, January 10, 2012: https://blogs.getty.edu/iris/a–call–to–arms–heraldry–in–renaissance–florence–and–a–mystery–you–can–help–solve/.