As provided by the Kress Foundation: https://www.kressfoundation.org/kress-collection/repository/fine-arts-museums-of-san-francisco:

Quirin van Biesum, Rotterdam, by 1719;

His sale, Rotterdam, 18 October 1719, no. 12.

Flinck Family, Amsterdam, by 1754;

Sale, Loesel, 4 November 1754, no. 14 [1].

Earl of Harewood, Harewood House, Yorkshire (probably Henry George Charles Lascelles, 6th earl of Harewood, 1882-1947) [2].

Rudolph Bottenwieser, Paris.

[Sackville Gallery, London, by 1919] [3].

Ernst May, Paris.

[Durlacher Brothers, New York, exhibited in 1940].

[Rudolph J. Heinemann, New York].

[Frederick Mont Inc., New York];

Sold to the Samuel H. Kress Foundation on 30 January 1952;

Gift to Fine Arts Museums of San Francisco in 1961

[1] Sale is recorded in Frits Lugt as "Flinck (Govert) peintre; Flinck (Nicolaas Antoni), fils" posthumous sale for both.
[2] Not included in Harewood sale Christie's London 1 May 1858.
[3] J. H. Johnstone, "An Early Picture by Nicolas Poussin," Burlington Magazine, xxxv, 1919, p. 91.

1940, New York. Durlacher Brothers Gallery. ”Loan Exhibition of Works by Poussin,” March, no. 1.

1978-1979, Denver-New York-Minneapolis. ”Masterpieces of French Art: The Fine Arts Museums of San Francisco.” Denver Art Museum, 26 December 1978 - 18 February 1979; New York, Wildenstein & Co., Inc., 14 March - 27 April 1979; The Minneapolis Institute of Arts, 24 May - 1 July 1979, no. 34.

1982, San Francisco. The de Young Museum. ”16 Paintings in Search of an Artist,” 28 August - 14 November, no catalogue.

J. H. Johnstone. ”An Early Picture by Nicolas Poussin.” Burlington Magazine 35, no. 198 (September 1919): p. 91, repr.

Walter Friedlaender. ”Poussin.” In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart by Ulrich Thieme and Felix Becker. Leipzig: Wilhelm Engelmann, 1907-1950.

Walter Friedlaender. ”America's First Poussin Show.” Art News 38, no. 23 (9 March 1940): p. 10, repr. on 8.

Anthony Blunt. ”Poussin Studies. II: Three Early Works.” Burlington Magazine 89, no. 535 (October 1947): p. 269, detail pl. 1, fig. B.

Thérèse Bertin-Mourot. ”Addenda au catalogue de Grautoff depuis 1914.” Bulletin de la Societe Poussin 2 (December 1948): pp. 45-46, pl. 5.

William E. Suida. The Samuel H. Kress Collection. San Francisco: de Young Museum, 1955, pp. 76-77, repr.

Erik Larsen. ”The Samuel H. Kress Collection at the M. H. de Young Memorial Museum, San Francisco.” Apollo 61, no. 364 (June 1955): p. 175, fig. 4.

Helen Comstock. ”The Connoisseur in America: De Young Museum, Gifts from Kress.” The Connoisseur 136, no. 547 (September 1955): p. 71.

Alfred Neumeyer. ”The Samuel H. Kress Collection of the M. H. de Young Museum in San Francisco.” The Art Quarterly 18, no. 3 (Autumn 1955): pp. 279-280.

Martin Davies. French School. 2d ed. London: The National Gallery, 1957, mentioned under no. 5597, note 5.

Paul Wescher. ”Neuerwerbungen des De Young Museums in San Francisco.” Kunstchronik (October 1957): p. 311.

Anthony Blunt. Nicolas Poussin. The A.W. Mellon Lectures in the Fine Arts. 2 vols. Washington, D.C.: National Gallery of Art, 1958. Reprint. New York: Bollinger Foundation, dist. Pantheon Books, 1967, 1:62-63, 70, 92, 94, and 2:pl. 10.

Anthony Blunt. Nicolas Poussin, 1594-1665: A Loan Exhibition Organized by the Minneapolis Institute of Arts in Collaboration with the Toledo Museum of Art. Minneapolis: Minneapolis Institute of Arts, 1959, p. 6.

Anthony Blunt. ”La première période romaine de Poussin.” In Colloque Nicolas Poussin [1958], vol. I, 163ff. Paris, 1960, p. 163, fig. 148.

Anthony Blunt. Exposition Nicolas Poussin. Paris: Édition des Musées Nationaux, 1960, pp. 222-223.

Denis Mahon. ”Poussin's Early Development: An Alternative Hypothesis.” Burlington Magazine 102, no. 688 (July 1960): pp. 290-291 (notes 16-19): 296-297 (note 71).

Anthony Blunt. ”Poussin Studies. XI: Some Addenda to the Poussin Number.” Burlington Magazine 102, no. 690 (September 1960): p. 396.

Denis Mahon. ”Poussiniana: Afterthoughts Arising from the Exhibition.” Gazette des Beaux-Arts 60 (July-August 1962): p. 3, 6 (note 16), 38 (note 149), 50 (note 151), 132 (note 391).

Walter Friedlaender. Nicolas Poussin. New York: Abrams, 1964, pp. 138-139, fig. 105.

Anthony Blunt. The Paintings of Nicolas Poussin: A Critical Catalogue. London: Phaidon Press, 1966, p. 21, no. 25, repr.

European Works of Art in the M.H. de Young Memorial Museum. San Francisco: Diablo Press, 1966, p. 111, repr.

Walter Friedlaender. The Drawings of Nicolas Poussin. London: The Warburg Institute, University of London, 1968, p. 12, no. 22.

Kurt Badt. Die Kunst des Nicolas Poussin. 2 vols. Cologne: Du Mont Schauberg, 1969, 1:293.
Richard Cocke. ”A Note on Mola and Poussin.” Burlington Magazine 111, no. 801 (December 1969): p. 715.

Pierre Rosenberg. La Mort de Germanicus de Poussin du Musée de Minneapolis. Paris: Editions des musées nationaux, 1973, pp. 19, 22, fig. 37.

Anthony Blunt. ”Poussin’s ‘Death of Germanicus’ Lent to Paris.” Burlington Magazine 115, no. 845 (August 1973): pp. 533-534.

Encyclopaedia Britannica, 15th ed., s.v. ”golden calf,” repr.

Jacques Thuillier. L'opera completa di Poussin. Milan: Rizzoli; Tout l’œuvre peint de Poussin. Paris: Flammarion, 1974, pp. 92-93, no. 63.

Anthony Blunt. ”The Complete Poussin.” Burlington Magazine 116, no. 861 (December 1974): pp. 761, 763.

Thomas Agnew and Sons Ltd. Master Paintings: Recent Acquisitions, May 29-July 4 1975. London: Agnew & Sons, 1975, p. 29, mentioned under no. 29.

Colin Eisler. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. New York: Phaidon Press, 1977, pp. 269-271, no. K1876, fig. 249.

Anthony Blunt. ”Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian.” Apollo 105, no. 183 (May 1977): p. 392.

Anthony Blunt. The Drawings of Poussin. New Haven: Yale University Press, 1979, pp. 160, 162, 177.

Doris Wild. Nicolas Poussin. Zürich: Orell Füssli, 1980, 1:38 (note 13): 45 (note 6): 80, 82, 182, 188, 197, 203, and 2:no. 23, repr.

Thomas P. Lee. ”Recently Acquired French Paintings: Reflections on the Past.” Apollo 111, no. 217 (March 1980): p. 214, fig. 4.

Pierre Rosenberg. France in the Golden Age: Seventeenth-Century French Paintings in American Collections. New York: Metropolitan Museum of Art, 1982, p. 371, no. 5, repr.

Anthony Blunt. ”French Seventeenth-Century Painting: The Literature of the Past Ten Years.” Burlington Magazine 124, no. 956 (1982): p. 706.

Marion C. Stewart. ”16 Paintings in Search of an Artist.” Triptych (October-November 1982): p. 10, repr.

Arnauld Brejon de Lavergnée. ”Nouvelles toiles d’Andrea di Lione: Essai de catalogue.” In Scritti di storia dell’arte in onore di Federico Zeri, vol. 2, 656-680. Milan: Electa Editrica, 1984, 2:669-270, pl. 656.

Nicola Spinosa. Bernardo Cavallino 1616-1656: Napoli, Museo Pignatelli, 24 aprile - 30 giugno 1985. Napoli: Electa, 1985, mentioned on pp. 40-41.

Christopher Wright. Poussin Paintings: A Catalogue Raisonné. London: Harlequin Books, 1985, p. 206, under no. 143, 93.

Christopher Wright. The Art of the Forger. New York: Dodd, Mead, 1985, pp. 139-144, repr. on 140.

Pierre Rosenberg and Marion C. Stewart. French Paintings 1500-1825: The Fine Arts Museums of San Francisco. San Francisco: The Fine Arts Museums of San Francisco, 1987, pp. 90-93, repr.