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De Bellaigue, Geoffroy, “Martin-Eloy Lignereux and England,” Gazette des Beaux-Arts 6, vol. 71 (1968), p. 288.
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Deweese-Wehen, Joy, “Royal Cabinetry Represented in Collection,” Antique Monthly (January 1982), p. 15A.Â
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Lemonnier, Patricia, “Les commodes de Martin Carlin,” L’Estampille, no. 171-172 (July-August 1984), p. 9, p. 12, repr.Â
Baulez, Christian, “Versailles, vers un retour des Sèvres,” La Revue du Louvre et des MusĂ©es de France, no. 5-6 (1991), pp. 75-76, fn. 119.Â
Kendricks, Neal, “Timken Exhibitions Makes 18th Century Works Feel at Home,” The San Diego-Union Tribune, July 19, 1992, p. E-1, repr.Â
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Nash, Steven A., “European Art at the Fine Arts Museums of San Francisco,” in Tokyo Metropolitan Art Museum, ed., European Masterworks from the Fine Arts Museums of San Francisco, exh. cat. (Tokyo: The Yomiuri Shimbun & San Francisco: The Fine Arts Museums of San Francisco, 1992), p. 14, fig. 6, p. 18.
The Museum Society, “On View in Many Venues,” Triptych (January/February/March 1993), p. 6, repr.Â
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Wolvesperges, Thibaut, Le Meuble Français en laque au XVIIIe Siècle (Paris: Éditions de l’Amateur, 2000), p. 369, fig. 203, p. 371
Rowell, Christopher, “French Furniture at Uppark: Sir Harry Fetherstonhaugh and his Friends in Post-Revolutionary Paris,” Furniture History 43 (2007), p. 269, repr. 270., p. 289, fn. 15.
Schefzyk, Miriam, Migration und Integration im Paris des 18. Jahrhunderts: Martin Carlin und die deutschen Ebenisten (Bielefeld: transcript Verlag, 2022), p. 272, repr., cat. no. 12.
Karlstrom, Ann Heath, ed., Legion of Honor 100 (San Francisco: Fine Arts Museums of San Francisco, 2024), repr. p. 90, p. 91, cat. no. 21, entry by Thomas Wu.Â
Schefzyk, Miriam, Martin Carlin et les ébénistes allemands (Paris: Mare & Martin, 2024), p. 310, repr., cat. no. 12.