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de Young
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La Tauromaquia: Los moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Los Moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, giving up the superstitions of the Qur'an (Koran), adopted this art of hunting, and spear a bull in the open), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The agility and audacity of Juanito Apinani in the ring at Madrid), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Le mort de Pepe Illo (3e composition) (The death of Pepe Illo), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Le Cheval abattu par un taureau, 1816
Francisco José de Goya y Lucientes
La Tauromaquia: La desgraciada muerte de Pepe Illo en la plaza de Madrid (The unlucky death of Pepe Illo in the ring at Madrid), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El mismo vuelca un toro en la plaza de Madrid (The same man throws a bull in the ring at Madrid), 1815
Francisco José de Goya y Lucientes
La Tauromaquia: El mismo Ceballos mon tado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El famoso Martincho poniendo banderillas al quiebro (The famous Martincho places the banderillas playing the bull with the movement of his body), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El esforzado Rendon picando un toro, de cuya suerte murio en la plaza de Madrid (The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El diestrisimo estudiante de Falces, embozado burla al toro con sus quiebros (The very skillful student of Falces, wrapped up in his cape, tricks the bull with the play of his body), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El Cid Campeador lan ceando otro toro (The Cid Campeador spearing another bull), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celbrated picador, Fernando del Toro, draws the fierce beast on with his pique), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: El animoso Moro Gazul es el primero que lanceo toros en regla (The spirited Moor Gazul is the first to spear bulls according to the rules), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Echan perros al toro (They loose dogs on the bull), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Dos grupos de picadores arrollados de seguida por un solo toro (Two teams of picadors thrown one after the other by a single bull), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Desjarrete de la canalla con lanzas, mediaslunas, banderillas y otras armas (The rabble hamstring the bull with lances, sickles, banderillas and other arms), 1816
Francisco José de Goya y Lucientes
La Tauromaquia: Combat dans une voiture attelee de deux mulets (Fight in a carriage harnessed by two mules), 1816
Francisco José de Goya y Lucientes
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