The de Young is closed 4/4.
Open today 9:30 am – 5:15 pm
Thiebaud’s Ponds and Streams offers a disorienting, aerial view of a patchwork of intensely cultivated fields and bending waterways spread across farmland in the Sacramento–San Joaquin River Delta.
By Lauren Palmor
Does art history have any relevance in a nation torn apart by war?
By Karin Breuer
What do education programs look like without original works of art in a physical space?
By Maria Egoavil and PJ Policarpio
A reliquary casket tells the story of a bloody murder that shook the medieval world.
By Martin Chapman
This rag merchant’s bag offers a window into Japanese history that can teach us valuable lessons about sustainability today.
By Ana Matsubara with Jill D’Alessandro
Earth Day reminds us that the natural world is a powerful source of wonder and delight.
By Furio Rinaldi
How to start and keep the practice of being anti-racist going for yourself and your family at home as well as in a museum setting.
By Jenjii Hysten and Ariana Bayer
We write today in solidarity with Asian Americans and Pacific Islanders and join those condemning the appalling acts of racism, violence, and discrimination committed against these communities across the nation.
By Thomas P. Campbell and Meghan McCauley
Introducing works by two Bay Area artists.
By Jill D’Alessandro
The three American art curators describe why they find these acquisitions personally meaningful.
By Timothy Anglin Burgard, Emma Acker, and Lauren Palmor
The Fine Arts Museums have acquired the “Catination” Storage Jar (April 12, 1836).
By Timothy Anglin Burgard
We at the Fine Arts Museums are engaged in the ongoing work of personal reflection and dialogue.
By Melissa Buron, Lauren Palmor, Thomas Wu, and Isabella Holland