Over the last 25 years, pioneering artist and filmmaker Isaac Julien (b. 1960, London) has created immersive, multichannel video installations. Celebrated for his poetic visual narratives, Julien explores power, politics, and personal experience through the lens of race, class, gender, and sexuality. Featuring 10 major video installations made between 1999 and 2022, alongside select early single-channel films including his iconic Looking for Langston (1989), this exhibition is the first comprehensive survey of Julien’s work in a museum setting and his first retrospective in the United States. The works’ themes range from global migration to the collection and appropriation of African artists and art by Western museums to the celebration of cultural figures who overcame racial oppression. Shot across Europe, Africa, the Caribbean, the Americas, and Asia, Julien’s works untangle the complex web of post-colonial conditions that has shaped the lives of individuals and societies across the globe.

Julien’s Ten Thousand Waves (2010) is on view in Wilsey Court — one of the de Young’s free public spaces.