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Fine Arts Museums Blog: All Posts
DEIA + Anti-Racism Updates
Patrick Kelly Initiative
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All Blog Posts
\ How Things Are Made, Collection
Q&A: Al Farrow on "The Spine and Tooth of Santo Guerro"
Al Farrow in conversation with Jane Williams and Céline Chrétien \
Jan 27, 2022
\ How Things Are Made, Exhibitions
The Art of Pastel: Innovations of Form and Method
Furio Rinaldi, with Tamia Anaya, Victoria Binder, and Allison Brewer \
Jan 26, 2022
\ Exhibitions
Pele, Imperialism, and the Sublime: Tavernier’s Volcano Paintings
Healoha Johnston \
Jan 20, 2022
\ How Things Are Made, Exhibitions, Collection
Judy Chicago and the Teaneck Seven: The Needlepoint Artists Behind “Birth Trinity”
Artist Susan Bloomenstein in conversation with Janna Keegan, assistant curator, contemporary art, and Laura Camerlengo, associate curator, costume and textile arts \
Jan 4, 2022
\ How Things Are Made, Exhibitions
Her Own Route: How Judy Chicago Turned Car Hoods into Art
Jena Hirschbein \
Dec 30, 2021
\ Exhibitions
Carrying Baskets: The Seeds of Pomo Life in California
Sherrie Smith-Ferri \
Dec 16, 2021
\ How Things Are Made
The Weight of Weaving: A Closer Look at Olga de Amaral’s “Lost Image 17”
Julieta Fuentes Roll \
Dec 9, 2021
\ Exhibitions
Trigger Figure: Patrick Kelly’s Reclamation of Racist Iconography
Kibwe Chase-Marshall \
Dec 2, 2021
\ DEIA + Anti-Racism Updates
The Diversity and Innovation Fund
Alison Bowman & Matt Sussman \
Nov 3, 2021
\ Exhibitions
Celebrating “Patrick Kelly: Runway of Love”
Laura L. Camerlengo in conversation with Dilys E. Blum \
Oct 25, 2021
\ How Things Are Made, Exhibitions
Anatomy of a Pastel
By Furio Rinaldi \
Oct 8, 2021
\ DEIA + Anti-Racism Updates
Anti-Racism and the Museum Stores
Tim Niedert and Stuart Hata \
Sep 28, 2021
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