Fine Arts Museums Blog: All Posts

\ How Things Are Made, Collection

Q&A: Al Farrow on "The Spine and Tooth of Santo Guerro"

Al Farrow in conversation with Jane Williams and Céline Chrétien \ Jan 27, 2022
\ How Things Are Made, Exhibitions

The Art of Pastel: Innovations of Form and Method

Furio Rinaldi, with Tamia Anaya, Victoria Binder, and Allison Brewer \ Jan 26, 2022
\ Exhibitions

Pele, Imperialism, and the Sublime: Tavernier’s Volcano Paintings

Healoha Johnston \ Jan 20, 2022
\ How Things Are Made, Exhibitions, Collection

Judy Chicago and the Teaneck Seven: The Needlepoint Artists Behind “Birth Trinity”

Artist Susan Bloomenstein in conversation with Janna Keegan, assistant curator, contemporary art, and Laura Camerlengo, associate curator, costume and textile arts \ Jan 4, 2022
\ How Things Are Made, Exhibitions

Her Own Route: How Judy Chicago Turned Car Hoods into Art

Jena Hirschbein \ Dec 30, 2021
\ Exhibitions

Carrying Baskets: The Seeds of Pomo Life in California

Sherrie Smith-Ferri \ Dec 16, 2021
\ How Things Are Made

The Weight of Weaving: A Closer Look at Olga de Amaral’s “Lost Image 17”

Julieta Fuentes Roll \ Dec 9, 2021
\ Exhibitions

Trigger Figure: Patrick Kelly’s Reclamation of Racist Iconography

Kibwe Chase-Marshall \ Dec 2, 2021
\ DEIA + Anti-Racism Updates

The Diversity and Innovation Fund

Alison Bowman & Matt Sussman \ Nov 3, 2021
\ Exhibitions

Celebrating “Patrick Kelly: Runway of Love”

Laura L. Camerlengo in conversation with Dilys E. Blum \ Oct 25, 2021
\ How Things Are Made, Exhibitions

Anatomy of a Pastel

By Furio Rinaldi \ Oct 8, 2021
\ DEIA + Anti-Racism Updates

Anti-Racism and the Museum Stores

Tim Niedert and Stuart Hata \ Sep 28, 2021

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