Exposition de tableaux de maîtres du XV au XIX siècle, Brussels: Robert Finck Gallery, 1968, ill. 4.
Friedländer, Max J., Early Netherlandish Painting, vol. 3: Dieric Bouts and Joos van Gent, New York and Washington: Frederick A. Praeger, 1968, pgs. 76, add. 115, pl. 155.
Veronée-Verhaegen, Nicole, "La Vierge embrassant l'Enfant Jésus par Dieric Bouts," Musées Royaux des Beaux–Arts de Belgique Bulletin 17, nos. 1–2 (1968), pg. 7, fig. 3, 9.
“New de Young Acquisitions–Bouts' Madonna,” This World, October 31, 1971, pg. 36, repr.
“Flemish Paintings: San Francisco,” Artweek 2, no. 38 (November 6, 1971), pg. 1, repr.
Vos, Dirk de, “De Madonna-en-Kindtypologie bij Rogier van der Weyden en enkele minder gekende Flemalleske voorlopers,” Jahrbuch Der Berliner Museen 13 (1971), pg. 147.
Wright, David H., “Autumn of the Middle Ages,” Apollo 111 (February 1980), pg. 93, repr. pg. 94, fig. 1.
Blair, Sally, “The Fine Arts Museums of San Francisco: Tilting the Balance,” Triptych (Spring 1980), pg. 5, repr., fig 4.
Sherman, Lila, Art Museums of America: A Guide to the Collections in the U.S. and
Canada, New York: Morrow, 1980, pg. 35.
The Fine Arts Museums of San Francisco: Selected Works, San Francisco: Fine Arts Museums of San Francisco, 1987, pg. 70, repr.
Ainsworth, Maryan W., Facsimile in Early Netherlandish Painting: Dieric Bouts’s Virgin and Child, exh. cat., New York: Metropolitan Museum of Art, 1993, pg. 2, pg. 3, fig. 2, pg. 8, fig. 7, pgs. 9, 10, 11, 12, pg. 13, fig. 10, pgs. 14, 17n20, 18n23, 18nn26–27, 19n28.
Brown, J. Carter, et al., Rings: Five Passions in World Art, exh. cat., Atlanta: High Museum of Art, 1996, pg. 74, repr., entry by Lynn F. Orr.
Ainsworth, Maryan W., and Keith Christiansen, eds., From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art, exh. cat., New York: The Metropolitan Museum of Art, 1998, pg. 104, under entry no. 6 by Mary Sprinson de Jesus.
Nash, Steven A., Lynn Federle Orr, and Marion C. Stewart, Masterworks of European Painting in the California Palace of the Legion of Honor, San Francisco: Fine Arts Museums of San Francisco, 1999, repr. pg. 18, pg. 19, entry by Lynn F. Orr.
Stroo, Cyriel and Dominique Vanwijnsberghe, “Formes et fonctions,” in L'art flamand et hollandais: Le siècle des Primitifs,1380–1520, ed. Christian Heck, Paris: Citadelles & Mazenod, 2003, pg. 352, fig. 463.
Périer–d’Ieteren, Catheline, Dieric Bouts: The Complete Works, Brussels: Mercatorfonds, 2006, pg. 128, fig. 122, pgs. 129, 130, 131, 132, 133, 257, no. 10.
Leboyer, Frédérick, Célébrer la naissance, Paris: Seuil, 2007, pg. 100, repr.
Monnas, Lisa, Merchants, Princes, and Painters: Silk Fabrics in Italian and Northern Paintings 1300–1550, New Haven: Yale University Press, 2008, pg. 143, pg. 144, fig. 158, 355n80.
Nash, Susie, Late Medieval Panel Paintings: Materials, Methods, Meanings, London: Sam Fogg, 2011, pg. 247, fig. 31.