Franz Ritter von Hauslab (L.1247), thence to the princes of Lichtenstein, Feldsberg, Vienna, and Vaduz (L.4398); Richard Zinser, Forest Hills, New York (his stamp, not in Lugt); thence by descent until 2012; [C.G. Boerner, New York and Nicholas Stogdon, Oxford (cat. 8, no. 23a)]

Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints, Cantor Arts Center, Stanford University, February 10–May 16, 2016, no. 21Renaissance Impressions: Sixteenth-Century Master Prints from the Kirk Edward Long Collection, Memorial Art Gallery, Rochester, New York, November 14, 2021–February 6, 2022, no. 76

Friedrich Lippmann, "Farbholzschnitte von Lucas Cranach," Jahrbuch der preussischen Kunstsammlungen, vol. 16 (1895), pp. 138–42; H.S.Foote., "The 'Saint Christopher' by Lucas Cranach the Elder," Bulletin of the Cleveland Museum of Art 16, no. 7 (July, 1929), pp. 125-27; Christine Andersson and Charles Talbot, From a Mighty Fortress, exh. cat. Detroit Institute of Arts (Detroit, 1983), pp. 215–16, no. 117; Giulia Bartrum, German Renaissance Prints 1490-1550, exh. cat. British Museum (London, 1995, pp. 174–75, no. 175; Erik Hintering, Chiaroscuro: Chiaroscruo Woodcuts from the Frits Lugt Collection in Paris, exh. cat. National Museum of Western Art, Tokyo (Tokyo, 2005), II, pp. 33-34, no. 3; Achim Gnann, In Farbe! Clair-obscure Holzchnitte der Renaissance, exh. cat. Albertina (Munich, 2013), pp. 40–43, nos. 5 and 6; Bernard Barryte, Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints (Milan, 2015), p. 320, no. 21 (entry by Armin Kunz); Elizabeth Savage, Early Colour Printing: German Renaissance Woodcuts at the British Museum (London, 2021), p. 58, no. 14.