Georges Feydeau (1862-1921), Paris [1]
His sale, Paris, Hôtel Drouot, 4 April 1903, lot 35
[Gaston Bernheim]
Prince of Wagram, Paris
[Georg Caspari, Berlin, ca. 1920] [2]
[Hugo and Käthe Perls, Berlin, by 1920] [3]
Sadie (Adler) Adriani, Berlin, ca. 1920
Gift of Bruno and Sadie (Adler) Adriani, Monterey, California, to the California Palace of the Legion of Honor, 1962
Administrative Transfer to the Fine Arts Museums of San Francisco, 1972

[1] See Wildenstein 1996 II, p. 101, no. 227.
[2] Per Le Bulletin de la Vie Artistique, 15 December 1920, p. 750.
[3] Per curatorial note, object file, Fine Arts Museums of San Francisco: “Purchased before 1920 by Mrs. Adriani in Berlin from the dealers Hugo and Käthe Perls.”

California Palace of the Legion of Honor, January 19–March 17, 1974; Santa Barbara Museum of Art, March 23–May 5, 1974; Fine Arts Gallery of San Diego, May 18–June 30, 1974. “Claude Monet, Paintings in California Collections,” no. 2.

Art Institute of Chicago, March 15–May 11, 1975. “Paintings by Monet,” no. 37.

Portland, Joan Whitney Payson Gallery of Art, May 7–November 1, 1987. Permanent collection loan.

Washington, D.C., The Phillips Collection, September 21, 1996–February 9, 1997. “Impressionism on the Seine: A Celebration of Renoir’s ‘Luncheon of the Boating Party,” no. 25.

Stuttgart, Staatsgalerie Stuttgart, September 21, 2002–February 9, 2003. “Manet and the Impressionists,” pg. 77, no. 103.

Paris, Musée Marmottan Monet, October 10, 2008–February 1, 2009. “Regards et Vision: Claude Monet, Edgar Degas, Mary Cassatt, Camille Pissarro,” no.

Sydney, The Art Gallery of New South Wales, May 1–July 1, 2010. “Paths to Abstraction,” pg. 106.

San Francisco, Fine Arts Museums of San Francisco (Legion of Honor), June 1–October 13, 2013; Salem, Peabody Essex Museum, November 9, 2013–February 17, 2014. “Impressionists on the Water,” no. 107.

Tulsa, OK, Philbrook Museum of Art, June 29 – September 21, 2014; Houston, Museum of Fine Arts, September 10, 2014 – January 29, 2015. “Monet on the Seine: Impressions of a River,” no. 11 [only exhibited in Houston].

“Confiscation de Tableaux,” Le Bulletin de la Vie Artistique, December 15, 1920, pg. 750, repr.

Wildenstein, Daniel, Claude Monet: Biographie et catalogue raisonné, vol. 1, Lausanne: La Bibliothèque des arts, 1974, pg. 212, no. 227, repr.

Herbert, Robert, “Method and Meaning in Monet,” Art in America 67 (September 1979): 90–108.

Tucker, Paul, Monet in Argenteuil, New Haven and London: Yale University Press, 1982, pl. XIX, pgs. 115-116, 118.

Adler, Kathleen, Manet, Oxford, UK: Phaidon, 1986, pg. 172, fig. 160.

Herbert, Robert L., Impressionism: Art, Leisure, and Paris Society, New Haven and London: Yale University Press, 1988, pg. 235, repr. fig. 237, pgs. 236, 239, 242, 243.

Blake, Nigel and Francis Frascina, “Modernization: spectacle and irony,” in Modernity and Modernism: French Painting in the Nineteenth Century, eds. Francis Frascina, et al., New Haven and London: Yale University Press, 1993, pg. 114, repr. pg. 115, pl.103.

Wildenstein, Daniel, Monet: Catalogue raisonné, vol. 2., Cologne: Taschen, 1996, pg. 226, no. 227, repr. pg. 225.

Sotheby’s, Impressionist and Modern Art, Part I, Auction catalogue, New York: Sotheby’s, November 16, 1998, pg. 50, fig. 1 (under lot 53).

Nash, Steven A., Lynn F. Orr, and Marion C. Stewart, Masterworks of European Painting, San Francisco: Fine Arts Museums of San Francisco, 1999, pg. 130, repr., entry by Steven A. Nash.

Herbert, Robert K., From Millet to Léger, Essays in Social Art History, New Haven and London: Yale University Press, 2002, pg. 13, fig. 9.

Conzen, Ina, “Eine neue Welt,” in Edouard Manet und die Impressionisten, exh. cat., ed. Ina Conzen, Stuttgart: Staatsgalerie Stuttgart, 2002, pg. 77, no. 103, repr.

Maloon, Terence, “Monet and Cézanne: the power of the palette and the 'tache',” in Abstraction: Paths to Abstraction 1867–1917, exh. cat., ed. Terence Maloon, Sydney: Art Gallery of New South Wales, 2011, repr. pg. 106, pg. 107.

Lloyd, Christopher, Daniel Charles, and Phillip Dennis Cate, eds., Impressionists on Water, exh. cat., San Francisco: Fine Arts Museums of San Francisco, 2013, no. 107, repr. (unpaginated).

Aurisch, Helga Kessler and Tanya Paul, Monet and the Seine: Impressions of a River, exh. cat., Houston: Museum of Fine Arts, Houston, 2014, pg. 74, no. 11, repr. pg. 75, entry by Helga Kessler Aurisch.

Christie’s, Impressionist & Modern Art, Auction catalogue, New York: Christie’s, May 12, 2016, pg. 80, repr.

Giasson, Patrice and Helaine Posner, eds., Leandro Erlich, Port of Reflections, Purchase, NY: Neuberger Museum of Art, 2017, pg. 16.