The sitter, Sir Duncan Campbell, 1st Baronet of Barcaldine and Glenure (1786-1842), Barcaldine House, Barcaldine, Scotland, United Kingdom 

By descent to his grandson Sir Duncan Alexander Dundas Campbell, 3rd Baronet (1856–1926), Ridgeway Place, Wimbledon, United Kingdom

Sold, London, Christie’s, 28–29 July 1926, lot 144 

[Purchased by M. Knoedler & Co.] [1]

Sold to Edward S. Moore (1881-1948), New York, 16 November 1926

Roscoe and Maragert Oakes, San Francisco, by 1955

Gift to The Fine Arts Museums of San Francisco, 1975 

[1] See Getty Research Institute, Knoedler & Co. records, Knoedler stock book 7, page 120, row 25, no. 16531: http://hdl.handle.net/10020/2012m54b7. 

Indianapolis, Herron Museum of Art (Indianapolis Museum of Art), February 21–April 11, 1965. “The Romantic Era, Birth and Flowering, 1750–1850,” no. 15. 

The Oakland Museum, November 29–December 31, 1969. “Art Treasures in California,” no cat. no. 

Canberra, Australia National Gallery, November 14, 1992–January 31, 1993; Melbourne, National Gallery of Victoria,  February 19–May 10, 1993; Auckland City Art Gallery, June 5–August 29, 1993.  “Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco,” no. 22.

Edinburgh, Scottish National Portrait Gallery, August 1–October 5, 1997; London, National Portrait Gallery, October 24, 1997–February 1, 1998. “Raeburn: The Art of Sir Henry Raeburn, 1756–1823,” no. 44. 

Letter from Raeburn to Sir Duncan Campbell of Barcaldine, 10 November 1812, Campbell of Barcaldine family papers and Breadalbane chamberlains, National Records of Scotland, G.D. 170.2677.

Grieg, James, Sir Henry Raeburn, R.A., London: The Connoisseur, 1911, pg. 40.

Christie, Manson & Wood, Early British Portraiture, Auction Catalogue, London: Christie, Manson & Wood, July 28-29, 1926, pg. 21, lot 144, repr. 

The Household Brigade Magazine (October 1926), repr. opp. pg. 280.

Time Magazine, May 28, 1956, pg. 84, repr. pg. 85.

Comstock, Helen, “The Connoisseur in America,” The Connoisseur, no. 138 (September 1956), pg.  74.

Wescher, Paul, “Neuerwerbungen des de Young Museums in San Francisco,” Kunstchronik 10, no. 11 (November 1957), pg.  311.

Coley, Curtis G., The Romantic Era: Birth and Flowering 1750-1850, exh. cat., Milan: Amilcare Pizzi, 1965, no. 15, repr., unpaginated. 

Irwin, David and Francina Irwin, Scottish Painters at Home and Abroad, 1700–1900, London: Faber & Faber, 1975, pgs. 160, 430n43, pl. 65.

Goldyne, Joseph R., “British Art at San Francisco,” Apollo 111, no. 217 (March 1980), pg. 126

Gordon, Catherine, British Painting, Hogarth to Turner, An Observer’s Guide, London: Frederick Warne, 1981, pg. 48.

Macmillan, Duncan, Painting in Scotland: The Golden Age, exh. cat., Oxford: Phaidon Press, 1986, pg. 134. 

The Fine Arts Museums of San Francisco: Selected Works, San Francisco: Fine Arts Museums of San Francisco 1987, pg. 85, repr. 

Mackie, David, “Raeburn: Life and Art,” vol. 2, PhD diss. (University of Edinburgh), 1993, no. 111.  

Nash, Steven A., Lynn Federle Orr, and Marion Stewart, eds., Rembrandt to Renoir: European Masterpieces from The Fine Arts Museums of San Francisco, exh. cat., Canberra: Australian National Gallery, 1992, pg. 64, no. 22, repr., entry by Marion Stewart. 

Thomas, Duncan, Raeburn: The Art of Sir Henry Raeburn, 1756-1823, exh. cat., Edinburgh: Scottish National Portrait Gallery, 1997, pgs. 140-141, no. 44, repr. pg. 141, pg. 208. 

Steven A. Nash, Lynn Federle Orr, Marion C. Stewart,  Masterworks of European Painting in the California Palace of the Legion of Honor, San Francisco: Fine Arts Museums of San Francisco, 1999, pg. 116, repr., entry by Marion C. Stewart. 

Tammaro, Tina, “Sir Henry Raeburn: The Human Subject,” The Artist’s Magazine (March 2002), pg. 45, repr.