Vollard, Ambroise, Tableaux, Pastels, et Dessins de Pierre-Auguste Renoir, Paris: Ambroise Vollard, 1918, pg. 94, no. 378, repr.
Alexandre, A., “Le Musée des Colonies,” La Renaissance (September 1931), repr. pg. 271.
Alazard, J., “L'Exotisme dans la Peinture Française,” Gazette des beaux-arts, no. 826 (October 1931), repr. pg. 235, fig. 11.
Zahar, Marcel, Renoir, London: House of Beric, 1948, pg. 11.
“Notable Works of Art Now on the Market: Supplement,” The Burlington Magazine 94, no. 597 (1952), pl. XXVI, repr. (unpaginated).
Sutton, Denys, “London explores,” Art News 51, no. 8 (December 1952), pg. 64.
Denvir, Bernard,“The Genius of Renoir,” The Connoisseur 132, no. 533 (November 1953), pg. 107, repr. on cover.
Cooper, Douglas, “Renoir, Lise and the Le Coeur Family: A Study of Renoir’s Early Development–I Lise,” The Burlington Magazine 101, no. 674 (1959), pg. 168.
Howe, Thomas C., “Paintings in the Collection of Mr. and Mrs. Prentis C. Hale,” Bulletin of the California Palace of the Legion of Honor 17, nos. 5-6 (September and October 1959), pg. 1, repr. pg. 2.
Fosca, François, Renoir, His Life and Work, Englewood Cliffs, NJ: Prentice-Hall, 1962, pg. 21.
Gimpel, René, Diary of an Art Dealer, trans. John Rosenberg, New York: Farrar, Straus and Giroux, 1966, pg. 62.
“La Chronique des Arts,” Gazette des Beaux–Arts, supp., no. 1176 (February 1967), pg. 101.
Daulte, François, Auguste Renoir: Catalogue raisonné de l'œuvre peint, vol. 1, Lausanne: Editions Durand-Ruel, 1971, no. 47, repr.
Fezzi, Elda, L’Opera Completa di Renoir nel Periodo Impressionista 1869–1833, Milan: Rizzoli, 1972, no. 53, repr.
Maxon, John, Paintings by Renoir, exh. cat., Chicago: Art Institute of Chicago, 1973, no. 8, repr. (unpaginated).
Raeburn, Michael, ed., Renoir, exh. cat., London: Arts Council of Great Britain, 1985, repr. pg. 53, pg. 195, no. 17, repr., entry by Anne Distel.
Nash, Steven A., Lynn Federle Orr, Marion C. Stewart, European Masters from the Fine Arts Museums of San Francisco, exh. cat., Tokyo: Tokyo Metropolitan Art Museum, 1992, repr. pg. 159, pg. 252, no. 64, entry by Steven A. Nash.
Nash, Steven A., Lynn Federle Orr, Marion C. Stewart, Rembrandt to Renoir: European Masterpieces from the Fine Arts Museums of San Francisco, Canberra: Australian National Gallery, 1992, pg. 168, repr., no. 64, entry by Steven A. Nash.
Schnell, Werner, “Renoir Versuch, über den Orient in den Zalon zu kommen,” Begegnungen: Festschrift für Peter Anselm Riedl zum 60. Geburtstag, eds. Klaus Güthlein and Franz Matsche, Worms: Werner, 1993, pgs. 222-223.
Bailey, Colin B., Renoir’s Portraits: Impressions of an Age, exh. cat., Ottawa: National Gallery of Canada, 1997, pg. 108, no. 8, repr., pgs. 273–274.
Bailey, Colin B., “Portrait of the Artist as a Portrait Painter,” in Renoir’s Portraits: Impressions of an Age, exh. cat., ed. Colin B. Bailey, Ottawa: National Gallery of Canada, 1997, pgs. 31–32, repr. pg. 31.
Sotheby’s, Impressionist & Modern Art - Part I, Auction catalogue, London: Sotheby’s, June 27, 2000, pg. 54, repr. (under lot 15).
NĂ©ret, Gilles, Renoir, Painter of Happiness, Cologne: Taschen, 2001, repr. pg. 36, pg. 37.
Christie’s, 19th Century Europeam Art and Orientalist Art, Auction catalogue, London: Christie’s, October 24, 2007, pg. 102, repr. (under lot 98).
Brettell, Richard B., et. al., The Robert Lehman Collection: Nineteenth- and Twentieth-Century Paintings, New York: The Metropolitan Museum of Art, 2009, pg. 325, repr. pg. 326, under entry no. 97 by Natalie H. Lee.
Jordanova, Ludmilla, The Look of the Past: Visual and Material Evidence in Historical Practice, Cambridge, UK: Cambridge University Press, 2012, pg. XXIX.
Benjamin, Robert, “Odalisques and Homages: Renoir’s Studio Orientalism, 1870-1875,” in Renoir and Algeria, exh. cat., eds. Robert Benjamin and David Prochaska, Williamstown, MA: Sterling and Francine Clark Art Institute, 2003, pgs. 23, 25, 26, 29, repr. fig. 22.
Alaou, Brahim, ed., De Delacroix à Renoir: L'Algérie des Peintures, exh. cat., Paris: Institut du Monde Arabe, 2003, pg. 228, no. 104, repr. pg. 229, entry by Stéphane Guégan.
Solana, Guillermo, Renoir: Intimida, exh. cat., Madrid: Museo Thyssen-Bornemisza, 2016, pg. 82, no. 4, repr. pg. 83.
Solana, Guillermo, Renoir: Intimacy, exh. cat., trans. Jenny Dodman, Madrid: Museo Thyssen-Bornemisza, 2016, pg. 82, no. 4, repr. pg. 83.
Noon, Patrick and Christopher Riopelle, Delacroix and the Rise of Modern Art, exh. cat., London: National Gallery, 2015, pg. 134, no. 30, repr. pg. 135, entry by Christopher Riopelle.
Riopelle, Christopher, “Afterlife: Delacroix’s Posthumous Fame,” in Delacroix and the Rise of Modern Art, exh. cat., eds. Patrick Noon and Christopher Riopelle, London: National Gallery, 2015, pg. 46.
Betz, Juliane, “Genre Painting & Figures in Costume” in Renoir: Rococo Revival, exh. cat., Frankfurt: Hatje Cantz; Städel Museum, 2022, pgs. 280–284, repr. pg. 307, no. 122.