Van Rensselaer and Mariana Griswold, "William Merritt Chase: First Article," American Art Review 2, no. 1 (Jan. 1881): 96, repr. of woodcut by Frederick Juengling, uncropped (as Portrait of a Lady) between 92-93. [1]
The Paintings and Other Artistic Property Left by the Late William Merritt Chase, N.A., auction catalogue, (New York: The American Art Galleries, 1917), cat. no. 91.
Important Paintings by Great Masters: Superb Works by Gainsborough... auction catalogue, (New York: Parke-Bernet Galleries, Inc., 1914), p. 80, cat. no. 102, repr.
Howe, Thomas Carr, Jr., "An Exhibition of American Paintings," Bulletin of the California Palace of the Legion of Honor Museum 2, no. 6 (September 1944): pp. 46, repr. 44.
Chase Centennial Exhibition: Commemorating the Birth of William Merritt Chase November 1, 1849, exh. cat. (Indianapolis, Indiana: John Herron Art Museum, 1949), cat. no. 11.
William Merritt Chase: 1849–1916, A Retrospective Exhibition, exh. cat. (Southampton, Long Island, New York: The Parrish Art Museum, 1957), p. 43, cat. no 27, repr.
Howe, Tomas Carr, Jr., “Six Recent Accessions,” Bulletin of the California Palace of the Legion of Honor 19, nos. 3 & 4 (July–August 1961).
Blaugrund, Annette. “Painting the extraordinary Harriet Hubbard Ayer,” The Magazine Antiques 177, no. 4 (Summer 2010): pp. 194, 197, 198, 200, repr. 196, fig. 3 (color).
_____, Dispensing Beauty in New York & Beyond: The Triumphs and Tragedies of Harriet Hubbard Ayer, (Charleston, South Carolina: The History Press, 2011); pp. 43, 201, repr. cover (color detail), fig. 5 (color).
[1] Reprinted in American Artists and Their Works, (Boston: Estes & Lauriat Publishers, 1889); p. 115.
