Kota Obamba sculptors created their own distinctive style of reliquary figures to accompany ancestral relics and serve as a powerful symbol of ancestral communication (LaGamma 2007, 239). Carved with exquisite care, the reliquary features abstract, flattened shapes, with the face highlighted by metal sheets arranged in a striking geometric pattern. The use of copper and brass was essential in these sculptures, offering protection and signifying prosperity. The rich color variations include shades of brown and yellow brass, along with red copper accents. Beyond its deeply admired artistic qualities, the Kota Obamba embodies the enduring connection between the living and the dead. Its abstract form and ritual purpose reflect the profound spiritual bond the Kota had with their ancestors. Often placed at the entrances of homes or shrines, these figures acted as protectors and reminders of the ancestral forces believed to watch over and guide families. Like the Mbulu-Ngulu, the Obamba is a sacred guardian, representing the power of the deceased, believed to continue protecting and influencing the living. This sculpture is an extraordinary example of the skill, creativity, and respect that Kota artists brought to their work. Through such figures, the presence and power of ancestors are preserved, ensuring they remain a vital force in the community.