[Perls Gallery, Paris and New York, by 1938] [1]  

Sold, New York, Parke-Bernet Galleries, 24 May 1944, lot 32, as Paul Gauguin, Paysanne de Bretagne

[Likely Hammer Galleries, New York, by 1949, as Paul Gauguin, Paysanne de Bretagne] [2]

Sold to Dr. T. Edward Hanley (1893-1969), Bradford, Pennsylvania, ca. 1949

Gift to M.H. de Young Memorial Museum, 1969

Administrative transfer to Fine Arts Museums of San Francisco, 1972 

[1] Per Rewald 1938, no. 60. 

[2] Per inscription on brown paper tape affixed to reverse of the frame, ‘Hanley Coll. from Victor Hammer Gallery in 1958.’

New York, Gallery of Modern Art (Huntington Hartford Collection), January 3–March 12, 1967; Philadelphia Museum of Art, Apri 6–May 28, 1944. “Selections from the Collection of Dr. and Mrs. T. Edward Hanley, Bradford, Pennsylvania,” no cat. no.

Columbus, OH, Columbus Gallery of Fine Arts, November 7–December 15, 1968. “Works from the Hanley Collection,” no. 75.

Buffalo, NY, Canisius College, November 23–December 23, 1969. “Works from the Hanley Collection at Canisius College,” no. PG–B.

Rewald, John, Gauguin, New York: French and European Publications, Inc., 1938, no. 60, pl. 60 (as Paul Gauguin, Little Breton Peasant Girl Standing).

Parke-Bernet Galleries, Paintings by Old & Modern Masters, New York: Parke-Bernet Galleries, May 24, 1944, pg. 11, repr., lot 32.

The Dr. T. Edward and Tullah Hanley Memorial Collection, San Francisco: Fine Arts Museums of San Francisco, 1970, pg. 19, no. 105, pl. 30, pg. 54 (as Paul Gauguin, Breton Girl).

Breare, Caitlin, “The Other Woman: The Nature of the Fine Arts Museums of San Francisco’s ‘Breton Girl,’” AIC Paintings Speciality Group Postprints 28 (2015), pgs. 1-10.