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Francisco José de Goya y Lucientes (159) A.D. 1800-1900

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Yo lo vi (I Saw It), pl.44 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Ya no hay tiempo (There Isn't Time Now), pl. 19 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Y son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Y no hai remedio (And There's No Help for It), pl. 15 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Y esto tambien (And This Too), pl.45 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Viejo Columpiándose (Old Man on a Swing), third plate in the portfolio accompanying the book Late Caprichos of Goya with commentary and notes by Eleanor Sayre (New York: Philip Hofer Books, Walker and Company, 1971), ca. 1824–1828

Francisco José de Goya y Lucientes

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Vieja Columpiándose (Old Woman on a Swing), fourth plate in the portfolio accompanying the book Late Caprichos of Goya with commentary and notes by Eleanor Sayre (New York: Philip Hofer Books, Walker and Company, 1971), ca. 1824–1828

Francisco José de Goya y Lucientes

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Unpuiblished first state of El Embozado (Cloaked Man) or El Torero Anciano (Old Bullfighter), sixth plate in the portfolio accompanying the book Late Caprichos of Goya with commentary and notes by Eleanor Sayre (New York: Philip Hofer Books, Walker and Company, 1971), ca. 1824–1828

Francisco José de Goya y Lucientes

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Un Infante de Espana (Infante Don Fernando), after the painting now in the Prado, 1868

Francisco José de Goya y Lucientes
Tristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going To Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Todo va revuelto (Everything Is Topsy-Turvy), pl.42 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Three Mamlūk Soldiers or Moors Carrying Off a Woman, 1810–1820

Francisco José de Goya y Lucientes
Tanto y mas (Even Worse) , pl. 22 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Tampoco (Not [in this case] Either), pl. 36 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Tampoco (Nor[ Do These] Either) pl. 10 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Tambien estos (These Two), pl. 25 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Tambien esto (This Too), pl.43 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes
Siempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Francisco José de Goya y Lucientes

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Yo lo vi (I Saw It), pl.44 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Ya no hay tiempo (There Isn't Time Now), pl. 19 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Y son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Y no hai remedio (And There's No Help for It), pl. 15 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Y esto tambien (And This Too), pl.45 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Viejo Columpiándose (Old Man on a Swing), third plate in the portfolio accompanying the book Late Caprichos of Goya with commentary and notes by Eleanor Sayre (New York: Philip Hofer Books, Walker and Company, 1971), ca. 1824–1828

Vieja Columpiándose (Old Woman on a Swing), fourth plate in the portfolio accompanying the book Late Caprichos of Goya with commentary and notes by Eleanor Sayre (New York: Philip Hofer Books, Walker and Company, 1971), ca. 1824–1828

Unpuiblished first state of El Embozado (Cloaked Man) or El Torero Anciano (Old Bullfighter), sixth plate in the portfolio accompanying the book Late Caprichos of Goya with commentary and notes by Eleanor Sayre (New York: Philip Hofer Books, Walker and Company, 1971), ca. 1824–1828

Un Infante de Espana (Infante Don Fernando), after the painting now in the Prado, 1868

Tristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going To Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Todo va revuelto (Everything Is Topsy-Turvy), pl.42 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Three Mamlūk Soldiers or Moors Carrying Off a Woman, 1810–1820

Tanto y mas (Even Worse) , pl. 22 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Tampoco (Not [in this case] Either), pl. 36 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Tampoco (Nor[ Do These] Either) pl. 10 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Tambien estos (These Two), pl. 25 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Tambien esto (This Too), pl.43 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820

Siempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters of War), ca. 1810–1820