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Satan Applying to the Alm ighty for Permission to Tempt Job,after part of a fresco by Giotto in Campo Santo of Pisa , plate 21 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

William Young Ottley

No image available
Sacrifice of Noah, after a fresco in a cortile of the Convent of S. Maria Novella by Paolo Uccello , plate 33 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

Tommaso Piroli

No image available
Resurrection of Lazarus , after a fresco by Giovanni Gaddi in the lower church of S. Francesco in Assisi , plate 29 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1826

William Young Ottley

No image available
Queen of Sheba Visiting Solomon, after the bronze bas-relief on one of the Gates of the Baptistery at Florence, plate 37 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1826

William Young Ottley

No image available
Noah's Vineyard, after part of a fresco by Benozzo Gozzoli in the Campo Santo at Pisa, plate 46 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1826

William Young Ottley

No image available
Madonna, Infant Christ and St. John after the bas- relief by Michelangelo Buonarroti, additional plate bound into the front of the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1828

Frederick Christian Lewis (the elder)

No image available
Joachim Driven from the Temple by the High Priest , after a fresco by Taddeo Gaddi in the sacristy of the Church of S. Croce in Forence, plate 26 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

William Young Ottley

No image available
Groups showing the geneology of Christ painted by Michelangelo for the Sistine Chapel, and later destroyed,from a 16th centyr drawing, additional plate bound into theback of the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1827

William Young Ottley

No image available
Group of Saints , after a fresco by Taddeo Gaddi in the chapel of the Guidaletti family in the convent of S. Maria Novella in Forence, plate 28 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

William Young Ottley

No image available
Facsimile of part of the Celebrated print of the Sea Monsters Engraved by Andrea Mantegna, 11th plate opposite page 508 in the book, An Inquiry into the Origin and Early History of Engraving upon Copper and Wood by William Young Ottley (London: John and Arthur Arch, 1816), vol. 2, 1816

Andrea Mantegna
Emperor Heraclius Bearing in Procession the True Cross , after a fresco by Angiolo [Agnolo] Gaddi in the church of S.Croce in Florence , plate 30 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

William Young Ottley

No image available
Demons in the Air,after part of a fresco of Hell by Luca Signorelli in a chapel of the Cathedral at Orvieto, plate 53 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1826

William Young Ottley

No image available
Crucifixion, after part of a painting by Pietro Cavallini in the lower church of S. Francesco in Assisi , plate 22 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

Tommaso Piroli

No image available
Creation and Fall of Man, after the bronze bas-relief on one of the Gates of the Baptistery at Florence, plate 34 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), ca. 1825

Tommaso Piroli

No image available
Christ Taken Down from the Cross, after a fresco by Puccio Capanna in the lower church of S. Francesco in Assisi , plate 23 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

Tommaso Piroli

No image available
Christ Standing in the Clouds, Surrounded by a Glory of Angels, after part of a fresco by Melozzo da Forli formerly in the vault of the Church of S.S. Apostoli at Rome, now preserved in Palace of Monte Cavallo, plate 45 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1826

William Young Ottley

No image available
Christ Passing Sentence on the Wicked , after a fresco of the Last Judgement by Andrea Orcagna in the Campo Santo at Pisa , plate 31 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

William Young Ottley

No image available
Burial of Christ, after a fresco by Puccio Capanna in the lower church of S. Francesco in Assisi , plate 24 in the book Series of Plates, engraved after the paintings and sculptures of the early Florentine School… (London: published by the editor…sold by Colnaghi…, 1826), 1825

Tommaso Piroli

No image available

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