The Annual Giving Program brings together an important and dynamic group of individuals who share a passion for art and the Fine Arts Museums. Their gifts provide vital support for our exhibitions, education programs, and the care of our collections. Annual Giving donors receive a host of attractive benefits, including invitations to exclusive exhibition openings, private tours, and VIP tickets for exhibitions.
Individual donors to the Fine Arts Museums make our exhibitions, education programs, and the conservation of our collections possible. There are many ways that you can support the Museums:
What kind of impact does your company want to have in the community? What kind of cultural engagement opportunities do you envision for your employees?
The Fine Arts Museums of San Francisco rely on our vital partnerships with corporations, foundations, and governmental institutions for support of our exhibitions and programs. Whether start-ups, large international corporations, or family or community foundations, organizations have a range of options to support the Museums, inspire creativity among their workforces and museum visitors, and build community through art.
We are extraordinarily grateful to our growing list of corporate, foundation, and government supporters in these categories:
The Japanese Print in the Era of Impressionism introduces audiences to the development of the Japanese print over two centuries (1700–1900) and reveals its profound influence on Western art during the era of Impressionism. This exhibition complements the de Young Museum’s presentations of paintings from the Musée d'Orsay, many of which are aesthetically indebted to concepts of Japanese art.
La ville lumière—“the City of Light”: Paris earned this nickname during the 19th century with the proliferation of gas lamps that lit up the French capital, turning night into day and boosting its economic vitality. Moreover, the radiance of the metropolis transcended the glow of its streetlights as Paris ascended to its role as the cultural capital of Europe. Authors, composers, and especially visual artists—painters, sculptors, printmakers, and photographers—thrived in this dazzling setting.
Additional support provided by GOODBYES.
Already an established writer known for his pacifist sympathies and the 1941 anti-war novel Journal of Albion Moonlight, Kenneth Patchen (1911–1972) and his wife, Miriam, settled in the Telegraph Hill neighborhood of San Francisco in 1950. They became friendly with Lawrence Ferlinghetti, founder of the City Lights publishing company and bookstore and Patchen became a contributor to Ferlinghetti’s Pocket Poets series.
The Watercolors for the Birds of America