On May 15—18 Art Market San Francisco, the Bay Area’s contemporary and modern art fair, returns to Fort Mason’s Festival Pavilion for its fourth annual show. Engaging the interest of both active and new collectors, the fair features artworks from approximately 70 established and up-and-coming galleries from around the country.
SAN FRANCISCO (August 7, 2013) —The Fine Arts Museums of San Francisco are saddened by the loss of Ruth Aiko Asawa, who died on August 6, 2013, at the age of 87. Asawa was a groundbreaking modernist sculptor with whom the Museums enjoyed a long-standing relationship. An internationally exhibited artist, teacher, arts advocate, and Museum trustee, she leaves a remarkable legacy.
Arthur Tress: San Francisco 1964 opens tomorrow at the de Young. Although the primary subject of the exhibition is the city we call home, many of the locations represented in the pictures were difficult to pin point. During his preparations for the exhibition, curator James Ganz tried to track down some of the more mysterious sites portrayed, which resulted in a San Francisco adventure of his own.
Tomorrow The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (February 18–June 17) opens at the Legion of Honor! Exactly 130 years ago, the tenets of the Aesthetic Movement were introduced to San Francisco by none other than Oscar Wilde.
With Friday Nights at the de Young on hiatus until March 30, 2012, we thought we’d take a moment to recognize some of our most dedicated supporters. Meet the Pelaez family, longtime museum members and intrepid fans of Friday Nights at the de Young. Parents Jenna and Steve along with their two kids, Payton, 7 and Aria, 5 have rarely missed a Friday Night in the past six years. We asked them what were some of the highlights from their weekly ritual.
This Saturday, August 13, marks the birthdate of legendary British film director Alfred Hitchcock, who was born in London in 1899. Famous for his psychological thrillers and virtuoso use of suspense, Hitchcock had a particular affinity for the San Francisco Bay Area, using it as a setting for several of his films, including The Birds (1963), Shadow of a Doubt (1943), and perhaps most famously, Vertigo (1958).
Regulars to the permanent galleries at the de Young will notice a new addition to Gallery 23 on the upper gallery level—the anonymous painting titled Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845. The painting depicts the children of Reverend William Anderson Scott (1813–1885), a Presbyterian minister in New Orleans from 1842 to 1854. The spire of the First Presbyterian Church where Dr. Scott was pastor is visible at the center of the city’s skyline.
In recognition of the 103rd anniversary of the 1906 San Francisco Earthquake and Fire, we're pleased to present a guest post by FAMSF assistant registrar Steven F. Correll.
Last December when several of the Fine Arts Museums registrars were looking through the de Young's offsite storage facility, senior registrar Stephen Lockwood found a series of ledger books that record the weather and daily attendance for the de Young beginning with its opening day in the 19th century. As we looked through the books, one particular ledger was most interesting: