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A Tale of Three Titians

Art history places a high premium on originality, especially the singular masterpiece. But there are certain occasions when multiplicity is embraced, including works created as part of a series or cast sculpture and printed materials, which are often produced as one of an edition. It is unusual, however, for a museum to include multiple versions of the same artwork in an exhibition.

Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthistorisches Museum, Vienna, on view at the de Young through February 12, 2012, boasts not one, not two, but three variations of Titian’s enigmatic masterwork The Bravo (The Assassin).

Two Bravos

December 23, 2011

FRAME|WORK: Virgin and Child with Putti by Andrea della Robbia

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. As we approach the Christmas holiday, it seems only appropriate to examine one of the many works in the European Decorative Arts and Sculpture department that deals with the subject of the Holy Family. This poignant Virgin and Child with Putti by Andrea della Robbia is currently on display in Gallery 4 at the Legion of Honor.

Virgin and Child with Putti

Andrea della Robbia (Italian, Florence, 1437–1525). Virgin and Child with Putti, ca. 1490–1495. Glazed terracotta. Museum purchase, Alfred S. Wilsey Memorial Fund. 2003.1

December 14, 2011

Masters of Masquerade

As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?

October 28, 2011

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