A portrait of a scandal.
These might not appear to be the most pious folks—the fifth commandment concerning honoring your parents doesn’t appear to be high on these kids’ list. But read more about how Sir David Wilkie secretly sketched his fellow parishioners in church, and then used those drawings to populate his great painting, Pitlessie Fair from 1804.
The latest of our Scottish visitors, the excerpt below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
There are only two weeks left to experience the special exhibition Chuck Close and Crown Point Press: Prints and Processes on view at the de Young. The tight focus of this exhibition allows visitors to zero in on the processes behind Chuck Close’s photorealist technique as it appears in the print format.
The year 2012 represents a milestone for Chuck Close, the Crown Point Press, and the Fine Arts Museums of San Francisco’s works on paper department, the Achenbach Foundation for Graphic Arts. Chuck Close and Crown Point Press: Prints and Processes, the special exhibition currently on view in the Anderson Gallery, honors these lasting relationships.
Regulars to the permanent galleries at the de Young will notice a new addition to Gallery 23 on the upper gallery level—the anonymous painting titled Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845. The painting depicts the children of Reverend William Anderson Scott (1813–1885), a Presbyterian minister in New Orleans from 1842 to 1854. The spire of the First Presbyterian Church where Dr. Scott was pastor is visible at the center of the city’s skyline.
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