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Objects Conservation

Housekeeping: The Thinker

applying wax to The Thinker
Photo by FAMSF

In this post, Geneva Griswold, the Andrew W. Mellon Fellow in Objects Conservation, explains how she and her colleagues keep Auguste Rodin’s sculpture The Thinker looking its very best. Read on for more about how the job involves a propane torch, why boat exhaust is an issue, and how hard it is to get to that awkward spot on the back of the leg.

August 15, 2016

Conservation in 3D: Skype, Stereographs and Silicon

Recently one of the Museums’ most generous supporters, Dorothy Saxe, purchased a sculpture for the collection in memory of our late director John E. Buchanan. Created by contemporary glass artist Beth Lipman, Candlesticks, Books, Flowers and Fruit (2010) is a complex compilation of multiple elements balanced precariously on a table. My role as an objects conservator is to ensure that all the elements of this fragile sculpture are installed safely and in keeping with the artist’s original intent.

May 18, 2012

What exactly is a conservator’s role when dealing with huge, monolithic objects?

The objects conservation lab is busy doing their part for the installation of Olmec: Colossal Masterworks of Ancient Mexico. So what exactly is a conservator’s role when dealing with huge, monolithic objects?


 

February 3, 2011

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