The influence of a variety of non-western cultures can be seen throughout the collections featured in The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk. Tonight at Friday Nights at the de Young, we honor the origins of these influences with an evening of Indigenous Couture curated by Native American artist, dancer, and designer Eddie Madril.
Jean Paul Gaultier
This weekend San Francisco (and the world) celebrates gay pride with rainbows, parades, love, and equality. What better way to ring in the revelry than with a visit to The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which highlights the designer’s personal ethos of “equality, diversity and perversity?” Blurring the lines between male and female, Gaultier achieves a code of beauty that is at once masculine, feminine, and androgynous. The openly gay Gaultier has never been afraid to break social taboos, and in so doing has created his own open-minded and generous fashion world.
The corset looms large in special exhibitions at both the de Young and the Legion of Honor. Jean Paul Gaultier, the subject of the de Young's The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , integrated this iconic garment into his prêt-à-porter collections as early as 1983. Meanwhile, over at the Legion of Honor in The Cult of Beauty: The Victorian Avant-Garde, 1860 –1900 (on view through June 17) the artists of the Aesthetic Movement rejected the corset in defiance of Victorian era fashions and social mores. Tonight, Friday Nights at the de Young explores the surprisingly dynamic world of Haute Corsets , with local corset makers Dark Garden and a screening of Truth or Dare , in which Madonna gets into the groove wearing Gaultier's unforgettable cone bra corset. Before you lace up, bone up on the fascinating history of this beguiling bodice!
Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.
Today’s guest blogger is 2012 de Young Artist Fellow Monique Jenkinson (aka Fauxnique). During her yearlong fellowship, she is focusing on the Museums’ costume and textiles collection, particularly the work of Jean Paul Gaultier as represented in the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view at the de Young through August 19). This Friday Night at the de Young, April 27, Jenkinson presents Making Scenes, a curated evening that includes a new dance/installation piece entitled Our People, inspired by the work of Gaultier—his icons, his fetishes and his light-hearted, humanistic irreverence. Here she shares with us the creative process behind the making of Our People.
From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.
This week, San Francisco enters the film world of Jean Paul Gaultier! Tonight, in partnership with the Fashion Film Festival, Friday Nights at the de Young presents Falbalas, the film that inspired Gaultier to embark on his fashion odyssey. Also tonight, the Castro Theater screens a JPG double feature, which includes Luc Besson’s sci-fi adventure The Fifth Element. And on Sunday, the Fashion Film Festival features Marc Caro and Jean-Pierre Jeunet’s dark fairy tale The City of Lost Children at the Roxie.
What do Jean Paul Gaultier, Lady Gaga, Don Draper and Frida Kahlo all have in common? They're all themes featured in Season Eight of Friday Nights at the de Young. After a four-month hiatus, the de Young opens Season Eight tonight, Friday, March 30, with a bigger than ever community party celebrating The Fashion World of Jean Paul Gaultier: From Sidewalk to Catwalk .
The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view through August 19 at the de Young) reveals the limitless cross cultural influences at play in the work of Jean Paul Gaultier. Throughout his career, Gaultier has drawn inspiration from diverse formats ranging from film and television, technology, street and club culture, and, of course, music. Pop music and its reigning superstars have continuously stimulated the creative drive of fashion’s enfant terrible. Perhaps most famous for the iconic costumes created in collaboration with Madonna for her 1990 Blond Ambition tour, Gaultier has seamlessly integrated music and its larger-than-life personalities into his unique fashion world.
The designs of Jean Paul Gaultier often straddle the seemingly divergent worlds of haute couture and street fashion. To illustrate the profound influence of the street’s wild style on Gaultier’s designs, the museum commissioned San Francisco based artist Rio Yañez to create a 65-foot long graffiti mural, which will serve as the backdrop for the Punk Cancan section of the exhibition.
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