This Halloween, we take you inside one of the Museums’ most enigmatic inhabitants: the mummy Irethorrou. While mummies have long been the antagonists of numerous horror films, they also provide us with incredible insight into the funerary practices and religious beliefs of ancient Egyptians. We dare you to read on as curator Dr. Renée Dreyfus and Egyptologist Jonathan P. Elias unwrap the Museums’ mummy.
As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, in a joint celebration of Halloween and the imminent opening of Masters of Venice: Renaissance Painters of Passion and Power, we feature an extraordinary mask fan from the department of Textile Arts.
Last Friday, ArtPoint hosted a ghoulish costume gala at the Legion of Honor. Hundreds of art enthusiasts braved the Richmond fog to dance the night away in tribute to Halloween and the opening of Very Postmortem: Mummies and Medicine. The exterior columns of the Legion looked spooktacular with purple and blue lighting. As guests made their way to the entrance, creepy music played from the dark corners of the Court of Honor.
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