The hat had been sitting there in the dark for years, unremarked upon. Its swirl of freshwater pearls, the imperial double eagle on the front, the decoration of thick gold braid on red velvet; none of it was included in the simple description—“Woman’s Fez”— in the Museums’ records.
Works on paper often have a long history and hide many clues that tell their story. Take a closer look and the artwork might reveal some of its secrets.
In the first in a series focusing on the hidden world of works on paper, FAMSF paper conservators take a look at Ugo da Carpi’s The Surprise, on view until October 5 in The Poetry of Parmigianino's "Schiava Turca" at the Legion of Honor.
The Fine Arts Museums of San Francisco is home to a unique collection of 167 film negatives taken by photographer Arnold Genthe chronicling the aftermath of the 1906 earthquake and fires. The negatives were acquired by the Legion of Honor in 1943.
On the day of the earthquake Genthe, an established photographer best known for his society portraits and views of old Chinatown, took to the streets of San Francisco equipped with a handheld Kodak camera and pockets full of roll film.
The film Genthe used was composed of a gelatin silver emulsion on a thin plastic support of cellulose nitrate. Cellulose nitrate film was introduced commercially at the end of the nineteenth century and remained in use until the mid-twentieth century. Lightweight, transparent and flexible, cellulose nitrate film freed photographers from the inconveniences of its predecessors, paper and glass plate negatives.