FAMSF Blog

Decoding paper: Secrets of a Renaissance Print

Works on paper often have a long history and hide many clues that tell their story. Take a closer look and the artwork might reveal some of its secrets.

Working in the paper lab
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Accidental Collectors: Robert and Jane Meyerhoff’s Modernism Collection

In 1987, Jane and Robert Meyerhoff announced their pledge to donate their art collection to the National Gallery of Art, including many of the works currently on view in the de Young’s special exhibition Modernism from National Gallery of Art.  But before they were given to the nation, these works first made up a personal collection that the couple had built and lived with for many years.

Robert and Jane Meyerhoff at the National Gallery of Art, October 24, 1988
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Great Products, Better Lives

The de Young brings you the world—in our galleries you might see a ceremonial knife from Mexico made of obsidian and turquoise, or a coffin from Ghana carved in the shape of a cocoa pod. At the 4th annual Fair Trade Bazaar at the de Young on Friday, July 25 and Saturday, July 26, you’ll have the opportunity to purchase goods made by artisans from all over the globe—from the windswept deserts of Mauritania to the craggy peaks of the Andes.

Petel
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Man in the Mirror

Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.

Man in the Mirror
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Matter! The 16th Annual New Generations Student Showcase

See tomorrow's art start tonight at the 2012 New Generations: Student Showcase. This year's theme is a call to action–think of it as a one-word manifesto: Matter!

Matter
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Love and the Maiden: A Harmony of Hues

In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.

John Roddam Spencer Stanhope (English, 1829–1908). Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. Museum purchase, European Art Trust Fund, Grover A. Magnin Bequest Fund and Dorothy Spreckels Munn Bequest Fund. 2002.176

Love and the Maiden
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