The de Young brings you the world—in our galleries you might see a ceremonial knife from Mexico made of obsidian and turquoise, or a coffin from Ghana carved in the shape of a cocoa pod. At the 4th annual Fair Trade Bazaar at the de Young on Friday, July 25 and Saturday, July 26, you’ll have the opportunity to purchase goods made by artisans from all over the globe—from the windswept deserts of Mauritania to the craggy peaks of the Andes.
Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.
See tomorrow's art start tonight at the 2012 New Generations: Student Showcase. This year's theme is a call to action–think of it as a one-word manifesto: Matter!
In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.
John Roddam Spencer Stanhope (English, 1829–1908). Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. Museum purchase, European Art Trust Fund, Grover A. Magnin Bequest Fund and Dorothy Spreckels Munn Bequest Fund. 2002.176
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a painting by Johnny Warangkula Tjupurrula, a member of the Papunya Tula artist collective. Children’s story (water dreaming for two children) is currently on loan to Australia's National Gallery of Victoria.
Johnny Warangkula Tjupurrula (Pintupi/Luritja, 1925–2001). Children’s story (water dreaming for two children), 1972. Australia, Western Desert, Papunya Tula settlement. Pressboard, tempera pigment. Gift of the Gantner Myer Aboriginal Art Collection. 2002.70.2
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature two exquisite 18th-century French liturgical vestments, a chasuble and a dalmatic, from the Museums’ permanent collections. Unfortunately, these garments are not currently on view, but please enjoy this exclusive virtual viewing!
Chasuble and Dalmatic, ca. 1700–1710. France, probably Paris. Silk, metallic thread; cut velvet, embroidery (laid work, couching, padded couching). Museum purchase, Dorothy Spreckels Munn Bequest Fund. 2004.9.1.1–2