“Indispensable” is a series that asks the de Young’s Artists in Residence to describe a tool that’s essential to their work.
“I cut myself all the time. She never does.”Read More »
Heather Brown, Mellon Fellow in Paper Conservation
There are seven books in the Ed Ruscha and the Great American West exhibition, which provided paper conservators the opportunity to exercise our skills in mounting books in an invisible way. Though the techniques appear simple, they required a good amount of planning and collaboration to achieve the perfect combination of physical support, visual unity, and aesthetic beauty.Read More »
Anne Getts, Mellon Assistant Textiles Conservator
On the Grid: Textiles & Minimalism, currently on view in the Textiles Gallery at the de Young, presented the textile conservation lab with a variety of mounting challenges. Among these challenges was determining the ideal way to display a dip-dyed and hand painted Moroccan woman’s headcover, or adghar ibrdane tasslit, with a bulky tassel located at each of the four corners.Read More »
Our latest video takes you to our conservation lab where the paper conservation team set up a screen-printing station to investigate prints that Ed Ruscha made with foods including Heinz Baked Beans and caviar. In November 2015, Heather Brown, Mellow Fellow in paper conservation, shared the latest progress on her research.Read More »
Along with a passion for California and the West Coast, a key theme in Ed Ruscha's work and Ed Ruscha and the Great American West is the abundance and playfulness of words. Throughout his career, Ruscha experimented with words, song lyrics and sayings, even filling notebooks with them and waiting for the moment that the temperature of a word becomes "really hot."Read More »