Almost as soon as the Salon Doré was de-installed from Gallery 11 late last year, the comprehensive conservation and restoration project began (and continues today in full view of the public in Gallery 13). Before a single component of the room was removed, however, months of planning and research went into readying the Salon Doré for this massive undertaking.
The special exhibition Rembrandt’s Century, currently on view alongside Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, is striking both in its breadth and for the fact that the works on view all come from the Fine Arts Museums’ permanent collections. Preparations for this exhibition were lengthy, with some works requiring restoration treatments. In this blog post, paper conservation intern Laura Neufeld demonstrates how, in matters of conservation, the devil really is in the details.
As the digital media interpretive media fellow at the de Young and the Legion of Honor, my primary role is to digitally document and interpret the yearlong project The Salon Doré: The Conservation of a Period Room, currently underway at the Legion of Honor.
Posted by Sarah Bailey Hogarty on January 28, 2013
Consisting of approximately 250 artworks, Rembrandt’s Century presents a diverse picture of the art and personalities that defined the Dutch Golden Age. Drawn entirely from the Museums’ permanent collection of works on paper in the renowned Achenbach Foundation for Graphic Arts, this exhibition required months of preparation. Curators, conservators, and art technicians worked together to frame—both literally and figuratively—this important selection of masterworks.
The Fine Arts Museums of San Francisco Blog provides the latest news and views on exhibitions, programs, collections, and behind-the-scenes happenings at San Francisco's de Young and Legion of Honor museums.