November artist-in-residence John Wehrle has been creating really big art since 1975. He specializes in site-specific public artworks, and his projects include mural-size paintings for interior and exterior walls as well as elaborate architectural installations that integrate text, painting, ceramic tile, and relief sculpture. Wehrle is working in the Kimball Education Gallery through November 25.
As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?
One of the many goals of the Artist-in-Residence program at the de Young Museum is to explore connections between the artists and the surrounding park environment. These connections enrich our museum visitors' experience through the guest artists' explorations and interpretations. Visiting artists from around the globe offer a unique experience to learn about natural materials found right here in Golden Gate Park.
Māori artist Glenda Hape uses flax to weave and create contemporary art. There are more than 7,500 exotic plant species surrounding the de Young in Golden Gate Park, including several types of ornamental flax. The species of flax Glenda needed to continue her weaving projects in the Kimball Gallery is called Phormium tenax, also known as New Zealand flax (or harakeke in the Māori language). Last week, Glenda explained how difficult it is to harvest the materials she uses in her artistic practice, but with the assistance of Andy Stone, gardner and park supervisor for the San Francisco Recreation and Parks, Glenda's harvesting trip around Stowe Lake was bountiful and she found just the right flax (harakeke).
The Artist-in-Residence program resumes this month in the Kimball Education Gallery with Glenda Joyce Hape, a Māori artist from New Zealand. Glenda is a weaver who combines traditional and contemporary techniques and materials to create Māori kakahu, or cloaks. We recently sat down with Glenda to discuss her background, practice, and inspiration.
The academic tradition of learning to draw by imitating the works of established masters has been alive for centuries. Professor Rick Rodrigues has been bringing this rich tradition the Fine Arts Museums of San Francisco since 1995, when he initiated a partnership between the City College of San Francisco and the Museums. Professor Rodrigues's drawing classes cover a variety of skills and techniques, ranging from basic life-drawing using models and tone-drawing to more obscure old-master techniques, such as silverpoint drawing or staining with tea or coffee. His much-beloved classes are a deeply fulfilling experience, giving young artists the opportunity to learn from art history's old masters directly in the museum setting.
Visitors are always welcome to sketch in the Museums' permanent collection galleries. Sketching in special exhibition galleries is by permission only and subject to lender and gallery restrictions. Please see our museum policies for more information.
Education intern Megan Friel recently sat down with Professor Rodrigues, who is still passionately committed to the academic tradition of museum drawing after 16 years of teaching, to discuss his experiences directing the program.
Guest blogger Danica Gomes is an intern in the Public Programs Department.
The art table has become a fixture of Friday Nights at the de Young. Every Friday kids, adults, regulars, and newcomers all crowd around paper-covered tables to take part in the evening’s hands-on art project. The projects are created and led by one of three museum artists, Suzanne Couture, Christian Davies, or Lisa Hubbard, and are always reflective of and inspired by special exhibitions. This summer, drawing on Picasso: Masterpieces from the Musée National Picasso, Paris, the art table has adapted Picasso’s definitive modes of expression and represented themes into activities designed for the general public.
“I think of art and painting as a journey, not simply a destination.”—Ken Campbell
Artist adventures! There are so many places to explore in the museum, and so many materials to experiment with in the studio!
Every Friday Night at the de Young is an adventure! Each week, the intrepid Public Programs team puts together an evening to remember, and no one Friday Night is alike. It is huge undertaking that requires the careful orchestration of many moving parts. Navigating an endless array of logistics, including a sea of chairs, flyers, AV equipment, and feather boas (yes, boas), the Friday Nights team seamlessly works together to present museumgoers with an experience they'll never forget! We thought you'd be interested to see what goes on behind the scenes of what has become a weekly institution in San Francisco's nightlife.
Supplies for the night's events are laid out on the 7th floor of the tower, including a detailed description of the night's many events.
Friday Nights at the de Young feature special lectures related to current exhibitions at the de Young. This Friday, July 22 Kieran Ridge presents "Picasso and Modern Literature: Liquid Architecture of the Palace of Marvels," a discussion of Picasso as a writer and the influence of contemporary authors and literature in his art. This is the first of three lectures presented in partnership with Alliance Française in celebration of Picasso: Masterpieces from the Musée National Picasso, Paris.
Mr. Ridge is chair of the English Department at The Marin School, where he teaches literature and film studies. To pique your interest in this fascinating subject, we have asked Mr. Ridge to answer a few questions about Picasso, the writer!