Home | Blog | Category | Blog categories | Paper conservation

Paper conservation

Decoding paper: Secrets of a Renaissance Print

Works on paper often have a long history and hide many clues that tell their story. Take a closer look and the artwork might reveal some of its secrets.

In the first in a series focusing on the hidden world of works on paper, FAMSF paper conservators take a look at Ugo da Carpi’s The Surprise, on view until October 5 in The Poetry of Parmigianino's "Schiava Turca" at the Legion of Honor.

Cracking the Conservation of a Curious Contemporary Construction

In 2004 artist Matthew Picton laid a sheet of plastic over the cracks in the asphalt of a playground. He traced the cracks and painted them with black enamel paint. Then he carefully cut and burned away the plastic surrounding the cracks. What was left was a giant spidery web.

A Trompe-l'oeil Traveler

One of the most exciting aspects of working in paper conservation at the Legion of Honor is the variety of objects encountered on a daily basis. When working on a 17th-century print, for example, conservation intern Laura Neufeld faced many traditional paper conservation challenges. Pier Gustafson’s Father’s Suitcase, on the other hand, is a one-of-a kind artwork that required unique treatment solutions.

A Devil in the Details

The special exhibition Rembrandt’s Century, currently on view alongside Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, is striking both in its breadth and for the fact that the works on view all come from the Fine Arts Museums’ permanent collections. Preparations for this exhibition were lengthy, with some works requiring restoration treatments.

Marcel Duchamp’s World in a Box: Fixing a Famous Valise

Museum visitors currently have the opportunity to look inside a rare treasure normally kept locked in dark storage. Marcel Duchamp: The Book and the Box, currently on view in the Logan Gallery at the Legion of Honor, features Duchamp’s iconic artwork, Boîte en Valise, which was made in the late 1930s.

Victoria and the box

Mark Garrett Will Work for Art!

Will Work for Art introduces you to the people who make the Fine Arts Museums work. Today, we visit the Achenbach Foundation for Graphic Arts where we meet Mark Garrett, a senior museum technician. Originally from Tennessee, Mark has been with the Museums for 23 years!

Mark Garrett

Mystery Glass Negatives from Land's End

Before there were digital image files and even before there was film, photographers captured images on glass plate negatives. In the collection of the Fine Arts Museums of San Francisco there are over seventy of these glass plate negatives depicting scenes of Land’s End and old San Francisco. Discovered in the basement of the old de Young, these century-old negatives were in desperate need of cleaning and re-housing. When the negatives came into the paper conservation lab at the Legion of Honor for proper care, the labor intensive project proved a perfect opportunity for pre-program conservation student Jennifer Martinez.

Foundation of Cliff House

Foundation of Cliff House, c. 1895

Conservation Treatment of a Monumental Print

A monumental 17th-century etching/engraving by the artist Jacques Callot is currently on view in the Jacqueline and Peter Hoefer Print Study Room at the Legion of Honor. In addition to a dramatic naval battle scene, the print depicts many fascinating details of daily life, which are visible upon close inspection. Although the print was acquired by the museums in 1968, it had never been exhibited due to condition issues.


Subscribe to Paper conservation