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Will Work for Art: Brandon Ballog

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.

June 30, 2011

The Lod Mosaic as Muse for Berkeley High School Seniors!

Last week, the Legion of Honor received a special visit from Berkeley High School’s Latin class. This group of thirty-seven seniors took time out of the final, hectic days of high school to see Marvelous Menagerie: A Roman Mosaic from Lod, Israel, which has served as their muse for the past several weeks.

June 23, 2011

Under Wraps: The furniture at the Legion gets custom-made covers

For the last several months, Textile Conservation volunteers Kathy Murphy, Jean Scardina, intern Erica Storm and Objects Conservation volunteer Tegan Broderick have all been hard at work making covers for the furniture stored at the Legion of Honor. While most of the chairs were already stored beneath loose-fitting pieces of cloth, custom covers provide the objects with better protection from light and dust. Clearly labeled covers also facilitate quick identification of the objects underneath and prevent unnecessary handling.

June 23, 2011

FRAME|WORK: El Aborto (Frida and the Miscarriage) by Frida Kahlo

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a powerful lithograph created by the formidable Frida Kahlo. This work is currently not on view, so we have provided this exclusive virtual viewing!

June 22, 2011

Will Work for Art: Clara Hatcher

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we feature a member of the frontline. Clara Hatcher works as the de Young receptionist and supports the visitor services and marketing departments. Originally from Ithaca, New York, Clara has been with the Museums for three years.

June 17, 2011

FRAME|WORK: An imperial tea service by Peter Carl Fabergé

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exquisite tea service from Russia made by Peter Carl Fabergé currently on view at the Legion of Honor.

June 15, 2011

FRAME|WORK: A vessel in the shape of a lion from ancient Anatolia

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an ancient terracotta drinking vessel in the shape of a lion from Turkey, currently on view at the Legion of Honor.

June 8, 2011

FRAME|WORK: Third Class Carriage by Honorè Daumier

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, a painting by Honorè Daumier depicts an activity with which we are all too familiar: the commute. Third Class Carriage (Un Wagon de Troissieme Classe) is currently on display at the Legion of Honor in Gallery 17.


Honorè Daumier (French, 1808–1879)
Third Class Carriage (Un Wagon de Troisieme Classe), 1856–1858
Oil on panel
10 1/4 x 13 3/8 (26 x 33.9 cm)
Museum purchase, Whitney Warren, Jr. Bequest Fund in memory of Mrs. Adolph B. Spreckels, Bequest funds of Henry S. Williams in memory of H.K.S. Williams, Magnin Income Fund, Art Trust Fund, Alexander and Jean de Bretteville Fund, Art Acquisition Endowment Income Fund in honor of Mrs. John N. Rosekrans, 1996.51

May 25, 2011

Pulp Fashion Goes Pop!

The art of Isabelle de Borchgrave is in itself a type of recycling. Inspired by sumptuous costume and textiles from the past, de Borchgrave recreates some of history’s most iconic fashions in the surprising medium of paper. Pulp Fashion: The Art of Isabelle de Borchgrave, on view at the Legion of Honor through June 12, displays paper outfits derived from those seen in European paintings, museum collections, photographs, sketches and even literary descriptions. De Borchgrave’s art practice seems particularly relevant in today’s conservation-minded climate in which “recycle and reuse” has become a mantra for artists and fashionistas alike.

Paper fashion was not always associated with such principled objectives. In the late 1960s, when de Borchgrave was just beginning her career, paper dresses captured the cultural zeitgeist not only for their pithy design and novelty, but specifically for their disposability.

May 24, 2011

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