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Exhibitions

The Scottish Visitors: Colonel Alastair Ranaldson Macdonell

Sir Henry Raeburn 1756–1823, Colonel Alastair Ranaldson Macdonell, 15th Chief of Glengarry (1771–1828), about 1812, Oil on canvas, 241.9 x 151.1 cm (95¼ x 59½ in), Scottish National Gallery, Edinburgh, Purchased 1917 (NG420).

Sir Henry Raeburn 1756–1823, Colonel Alastair Ranaldson Macdonell, 15th Chief of Glengarry (1771–1828), about 1812, Oil on canvas, 95¼ x 59½ inches, Scottish National Gallery, Edinburgh, Purchased 1917 (NG420).

There’s a full cast of characters in Botticelli to Braque: Masterpieces from the National Galleries of Scotland—everyone from a Tahitian temptress painted by Paul Gauguin, to a rowdy Dutchman by Frans Hals. But there are also plenty of Scots, and once a week we'll highlight one of them by excerpting a section from the exhibition catalog, available for purchase in the Museum Store.

March 6, 2015

The View from LA

Joseph Mallord William Turner, Norham Castle, Sunrise, ca.1845. Oil on canvas, 35 ¾ x 48 in. (90.8 x 121.9 cm).
Tate London. Image © Tate, London 2014

From our pen pals at the Getty: What J. M. W. Turner might have loved about the City of Angels. J. M. W. Turner: Painting Set Free, currently at the Getty, heads to the de Young on June 20; stay tuned for why we think Turner should have left his heart in San Francisco.

March 4, 2015

Accidental Collectors: Robert and Jane Meyerhoff’s Modernism Collection

In 1987, Jane and Robert Meyerhoff announced their pledge to donate their art collection to the National Gallery of Art, including many of the works currently on view in the de Young’s special exhibition Modernism from National Gallery of Art.  But before they were given to the nation, these works first made up a personal collection that the couple had built and lived with for many years.

July 21, 2014

Art Market San Francisco 2014

On May 15—18 Art Market San Francisco, the Bay Area’s contemporary and modern art fair, returns to Fort Mason’s Festival Pavilion for its fourth annual show. Engaging the interest of both active and new collectors, the fair features artworks from approximately 70 established and up-and-coming galleries from around the country.

A large crowd mills about an art fair

May 8, 2014

Mounting the Weisel Family Collection

The Thomas Weisel Family’s recent gift of Native American art is comprised in large part of pottery, including rare Mimbres pieces that date back to the 11th century. Approximately 50 pieces of Mimbres and Pueblo pottery will be on view in the upcoming exhibition, Lines on the Horizon: Native American Art from the Weisel Family Collection, which highlights the gift. Pottery presents an interesting set of challenges when being considered for display, especially here in earthquake country. Our team of mount makers has been busily crafting custom-made mounts for each pot slated to go on view when the exhibition opens this Saturday, May 3.

A painted pot sits on a riser while a female technician adjusts its base

April 30, 2014

Weekends with Georgia

Although Modern Nature: Georgia O’Keeffe and Lake George (on view at the de Young through May 11) focuses on the artist’s work created in upstate New York, O’Keeffe is famously associated with the arid deserts of New Mexico. Anna Koster, an artist who now lives in the Bay Area, shares her experience working with Georgia O’Keeffe at her beloved Ghost Ranch in Abiquiu, New Mexico.

An abstracted horizontal landscape of a still lake in shades of blue, grey, and green

April 23, 2014

Keeping It Green with Bouquets to Art Flower Designer Emily Dreblow

Emily Dreblow, founder of Soulflower Design Studio in San Francisco, is working on a floral creation for Bouquets to Art 2014—it’s her 5th year participating in the de Young’s art-inspired flower exhibition. Dreblow likes to approach her work with a focus on two values that are near and dear to San Francisco’s heart: community and sustainability.

A brunette woman in a teal top stands in front of a picture of succulent plants

March 13, 2014

The Art Editor's Library

Before I joined the Fine Arts Museums seven years ago as an editor, I did not know such a job existed in the museum world. It is not a role that merits much attention—in fact, the more invisible the editor’s hand, the better. But if you look around at the museums, you will understand how important an editor is. From humble signage directing your way to hefty exhibition catalogues, a huge range of text in a variety of forms is issued by the Museums, all reviewed by a team of three editors in the publications department.

A shelf filled with books

December 17, 2013

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