When you enter the exhibition Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection (on view at the Legion of Honor through October 2), you are immediately transported into the Dutch Golden Age.
Discover the women, the passion and the heartbreak behind Pablo Picasso’s work presented in Picasso: Masterpieces from the Musée National Picasso, Paris currently on view at the de Young. Behind every great artist, there is a muse. For Picasso, his romantic relationships provided inspiration for countless paintings, drawings and sculptures.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.
Friday Nights at the de Young feature lectures related to current exhibitions at the de Young. This Friday, June 17, Public Programs presents Spaniards in France: Cristóbal Balenciaga and Pablo Picasso, a lecture by Dr. James Housefield, a scholar of modern art and design at U.C. Davis. In preparation for this fascinating lecture, Dr. Housefield has graciously answered a few questions to pique your interest!
Museums, like the artworks they house, are constantly evolving. Expanding collections and audiences, outdated facilities, natural phenomena (like earthquakes), or changing building codes can all contribute to a museum’s decision to shutter its doors for lengthy renovations. One museum’s closure, however, is another's golden opportunity, as in the case of this museum! The de Young has recently benefitted from two important museum renovations in Paris: first, the Musée d’Orsay sent us two major exhibitions during its expansive renovations (Van Gogh, Gauguin, Cézanne, and Beyond and Birth of Impressionism) and now the Musée National Picasso brings us Picasso: Masterpieces from the Musée National Picasso, Paris opening this Saturday, June 11.
The art of Isabelle de Borchgrave is in itself a type of recycling. Inspired by sumptuous costume and textiles from the past, de Borchgrave recreates some of history’s most iconic fashions in the surprising medium of paper. Pulp Fashion: The Art of Isabelle de Borchgrave, on view at the Legion of Honor through June 12, displays paper outfits derived from those seen in European paintings, museum collections, photographs, sketches and even literary descriptions. De Borchgrave’s art practice seems particularly relevant in today’s conservation-minded climate in which “recycle and reuse” has become a mantra for artists and fashionistas alike.
Paper fashion was not always associated with such principled objectives. In the late 1960s, when de Borchgrave was just beginning her career, paper dresses captured the cultural zeitgeist not only for their pithy design and novelty, but specifically for their disposability.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums operate. Steven F. Correll is a Registrar who literally makes the "scene" possible by organizing and tracking artwork as it moves through the Museums. Originally from San Diego, CA and Ponca City, OK, Steve has been with the Museums for 4 years.
In 1996 construction workers accidentally uncovered a mosaic while widening a road in the modern Israeli town of Lod, near Tel Aviv. A preliminary excavation immediately conducted by the Israel Antiquities Authority (IAA) revealed that three feet below the modern surface there was a mosaic floor dating to about AD 300. The three most complete and impressive panels from the floor are on view at the Legion of Honor through July 24.
In 2005, Bay Area artist Kay Sekimachi gifted the museum a seminal work, a miniature book—The Wave. The Wave comes from her series of accordion books that were inspired by the Japanese artist Hokusai prints from his own series Hundred Views of Mt. Fuji. Woven in natural linen, Sekimachi used a painted-warp technique to imprint the repetitive pattern of the wave on the book’s covers and pages and a double-weave technique to create the accordion folds. The meditative quality of Sekimachi’s work belies the complexity of her techniques. Her work reflects a combination of influences— from the Japanese aesthetic comes her purity of form and reverence of nature and from her early Bauhaus training the control of geometry and symmetry, as well as, the exploration of the double-weave technique.
Jill D'Alessandro, Curator, Textile Arts