Exhibitions

Pulp Fashion Goes Pop!

The art of Isabelle de Borchgrave is in itself a type of recycling. Inspired by sumptuous costume and textiles from the past, de Borchgrave recreates some of history’s most iconic fashions in the surprising medium of paper. Pulp Fashion: The Art of Isabelle de Borchgrave, on view at the Legion of Honor through June 12, displays paper outfits derived from those seen in European paintings, museum collections, photographs, sketches and even literary descriptions. De Borchgrave’s art practice seems particularly relevant in today’s conservation-minded climate in which “recycle and reuse” has become a mantra for artists and fashionistas alike.

Paper fashion was not always associated with such principled objectives. In the late 1960s, when de Borchgrave was just beginning her career, paper dresses captured the cultural zeitgeist not only for their pithy design and novelty, but specifically for their disposability.

Will Work for Art: Steven Correll

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums operate. Steven F. Correll is a Registrar who literally makes the "scene" possible by organizing and tracking artwork as it moves through the Museums. Originally from San Diego, CA and Ponca City, OK, Steve has been with the Museums for 4 years.

Marvelous Menagerie Unmasked

In 1996 construction workers accidentally uncovered a mosaic while widening a road in the modern Israeli town of Lod, near Tel Aviv. A preliminary excavation immediately conducted by the Israel Antiquities Authority (IAA) revealed that three feet below the modern surface there was a mosaic floor dating to about AD 300. The three most complete and impressive panels from the floor are on view at the Legion of Honor through July 24.

Mosaic floor central panel, Roman, ca. AD 300. Excavated at Lod (Lydda), Israel. Stone tesserae. Israel Antiquities Authority and the Shelby White and Leon Levy Lod Mosaic Center. Image courtesy of the Israel Antiquities Authority

Julian Cox in conversation with Collection Connections artist Marco Breuer

In the midst of the 48-hour installation of Line of Sight, Founding Curator of Photography and Chief Curator at the de Young Julian Cox sat down with Marco Breuer to discuss his artistic practice.

Another Wave

The Wave, 2005, by Kay Sekimachi

In 2005, Bay Area artist Kay Sekimachi gifted the museum a seminal work, a miniature book—The Wave. The Wave comes from her series of accordion books that were inspired by the Japanese artist Hokusai prints from his own series Hundred Views of Mt. Fuji. Woven in natural linen, Sekimachi used a painted-warp technique to imprint the repetitive pattern of the wave on the book’s covers and pages and a double-weave technique to create the accordion folds. The meditative quality of Sekimachi’s work belies the complexity of her techniques. Her work reflects a combination of influences— from the Japanese aesthetic comes her purity of form and reverence of nature and from her early Bauhaus training the control of geometry and symmetry, as well as, the exploration of the double-weave technique. 

Jill D'Alessandro, Curator, Textile Arts

John Buchanan and Guy Cogeval Discuss Birth of Impressionism on Forum

John Buchanan and Guy Cogeval

Yesterday morning FAMSF director John Buchanan and Musée d'Orsay president Guy Cogeval discussed the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay, which opens at the de Young Museum tomorrow, May 22, 2010.

In case you missed what some commenters are calling "the best Forum episode ever", you can stil listen online. In fact, we've embedded it in this very blog post! You can access it after the jump.

Birth of Impressionism runs through September 6, 2010. Later on that month, the de Young will host a follow-up show, Van Gogh, Gaugin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d'Orsay. That exhibition opens September 26 and runs through January 18, 2010.

Podcast: Interview with Peter Solmssen about the First King Tut Exhibition

In celebration of the final days of Tutankhamun and the Golden Age of the Pharaohs, we present an interview with Alameda resident Peter Solmssen about his work with the original King Tut exhibition in the 1970s.

During that time, Mr. Solmssen served in the State Department as deputy ambassador-at-large for cultural affairs, and played an instrumental role in bringing Treasures of Tutanhkamun to the United States.

Fun with Patterns

fun with patternsFAMSF presents Amish Abstractions: Quilts from the Collection of Faith and Stephen Brown in the Caroline and H. McCoy Jones Textile Gallery at the de Young. The exhibition, which runs through June 6, 2010, features 48 full-size and crib quilts that showcase the diversity of the Amish quilt tradition. As an exhibition supplement, the textile education gallery is devoted to quilts and visitors of all ages are invited to create their own quilt patterns using wooden blocks.

Podcast: FAMSF Curator of Ancient Art Renee Dreyfus Talks About Tut in '79 and Now

Our newest podcast features FAMSF curator of ancient art and interpretation Renee Dreyfus, who talks about the 1979 Treasures of Tutankhamun exhibition and the current Tutankhamun and the Golden Age of the Pharaohs. Renee was on the curatorial team for the first Tut exhibition 30 years ago, and now heads up the FAMSF curatorial efforts for the current offering.

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