In continuation of our series Museum Without Walls, we visited Todd T. Brown’s studio as he prepares for his final exhibition as an Artist Fellow at the de Young. Inheritance and Dreams will be on display in the Kimball Education Gallery February 1–12.
December Artist-in-Residence Genevieve Quick examines the history and wonder of telescopes, Victorian projectors, photography and space-age satellites. In The Lens Lab (on view through December 31, 2011, in the Kimball Education Gallery), Quick invites the public to interact with her hand-fabricated cameras. Participants are encouraged to use her modified cameras to photograph the museum and its grounds.
December 14, 2011
November artist-in-residence John Wehrle has been creating really big art since 1975. He specializes in site-specific public artworks, and his projects include mural-size paintings for interior and exterior walls as well as elaborate architectural installations that integrate text, painting, ceramic tile, and relief sculpture. Wehrle is working in the Kimball Education Gallery through November 25.
November 4, 2011
One of the many goals of the Artist-in-Residence program at the de Young Museum is to explore connections between the artists and the surrounding park environment. These connections enrich our museum visitors' experience through the guest artists' explorations and interpretations. Visiting artists from around the globe offer a unique experience to learn about natural materials found right here in Golden Gate Park.
Māori artist Glenda Hape uses flax to weave and create contemporary art. There are more than 7,500 exotic plant species surrounding the de Young in Golden Gate Park, including several types of ornamental flax. The species of flax Glenda needed to continue her weaving projects in the Kimball Gallery is called Phormium tenax, also known as New Zealand flax (or harakeke in the Māori language). Last week, Glenda explained how difficult it is to harvest the materials she uses in her artistic practice, but with the assistance of Andy Stone, gardner and park supervisor for the San Francisco Recreation and Parks, Glenda's harvesting trip around Stowe Lake was bountiful and she found just the right flax (harakeke).
October 27, 2011
The Artist-in-Residence program resumes this month in the Kimball Education Gallery with Glenda Joyce Hape, a Māori artist from New Zealand. Glenda is a weaver who combines traditional and contemporary techniques and materials to create Māori kakahu, or cloaks. We recently sat down with Glenda to discuss her background, practice, and inspiration.
October 21, 2011
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.
October 19, 2011
Commissioned by the de Young Museum’s Cultural Encounters Program during Todd Brown’s July 2009 tenure as Artist-in-Residence, Invisible Passage is now back on display in the Kimball Education Gallery as part of his current Artist Fellows project. The painting, measuring 33 feet by 9.5 feet, is Brown’s largest work to date.
July 21, 2011
July 15, 2011
Visitors to the Artist Studio (Kimball Education Gallery) may remember the charming textiles artist Joe Cunningham and “Joe’s Quilt Shop.” Joe has long been a favorite of the Bay Area quilting world, and in March 2010, he took up residency in the Artist Studio, taught visitors how to quilt, regaled us with clever ballads, reversed the stereotype that men don’t quilt, and impressed us with his works, including Bend in the River, which was acquired by the de Young. Now, he returns to the Museum as part of the ann
April 14, 2011
Corinne Okada Takara completed a residency in the Kimball Education Gallery two years ago. Her project, Rhythms in Space, explored the assembly of recycled materials into airy three-dimensional tapestries and wearable art, while presenting a visual footprint of diverse cultures in the Asian diaspora. She pulled various motifs from the museum collection, along with visual patterns observed in the museum's surroundings. Visitors created tapestries from these images using wire, netting, and other recycled materials.