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Great Products, Better Lives

The de Young brings you the world—in our galleries you might see a ceremonial knife from Mexico made of obsidian and turquoise, or a coffin from Ghana carved in the shape of a cocoa pod. At the 4th annual Fair Trade Bazaar at the de Young on Friday, July 25 and Saturday, July 26, you’ll have the opportunity to purchase goods made by artisans from all over the globe—from the windswept deserts of Mauritania to the craggy peaks of the Andes.

Man in the Mirror

Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.

FRAME|WORK: Children’s story (water dreaming for two children) by Johnny Warangkula Tjupurrula

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a painting by Johnny Warangkula Tjupurrula, a member of the Papunya Tula artist collective. Children’s story (water dreaming for two children) is currently on loan to Australia's National Gallery of Victoria.

Water Dreaming

Johnny Warangkula Tjupurrula (Pintupi/Luritja, 1925–2001). Children’s story (water dreaming for two children), 1972. Australia, Western Desert, Papunya Tula settlement. Pressboard, tempera pigment. Gift of the Gantner Myer Aboriginal Art Collection. 2002.70.2

It's a Family Affair

With Friday Nights at the de Young on hiatus until March 30, 2012, we thought we’d take a moment to recognize some of our most dedicated supporters. Meet the Pelaez family, longtime museum members and intrepid fans of Friday Nights at the de Young. Parents Jenna and Steve along with their two kids, Payton, 7 and Aria, 5 have rarely missed a Friday Night in the past six years. We asked them what were some of the highlights from their weekly ritual.

FRAME|WORK: Halved Cabbage by Edward Weston

Tomorrow, most of us will sit down with family and friends to enjoy a cornucopia of Thanksgiving comestibles that will leave many satiated to the point of sickness. In preparation, this week’s FRAME|WORK takes a closer look at Edward Weston’s Halved Cabbage, whose beauty and detail give new meaning to the concept of good taste.

Remixing San Francisco: An Interview with Director of "Block by Block," Sean San José

Campo Santo, de Young Artist Fellow and award-winning resident theater company of Intersection for the Arts premieres Block by Block: The Pura Principle, its newest theatrical work, in the de Young's Koret Auditorium on November 17, 18, and 19. The performance is based on recent short stories and original writings by Pulitzer Prize-winning author Junot Díaz.

Block by Block brings back to the stage Díaz’s wild and beautiful voice. Sean San José, theater director for Campo Santo, has adapted Diaz’s writings to life in our city, bringing a multimedia San Francisco block party to the de Young.

Audiences will be taken on a journey through San Francisco, block by block. Actors, dancers, and musicians interpret six neighborhoods–downtown, the Fillmore, the Excelsior, Hunters Point, the Mission, and the Castro–in vignettes reflecting the unique rituals found in each of these culturally rich neighborhoods. Experience DJ battles with Felonious; dance-offs with Nicole Klaymoon and the Embodiment Project; the murals of the Mission with projected visuals created by acclaimed artists Favianna Rodriguez, Evan Bissell, and Ricardo Richey; the urban life and writings of Junot Díaz with the Campo Santo Street Team and DJ Wonway; and Susie Lund, who transports you with Subway Strutting to Carnaval.

Watch a preview here.

How did we arrive at this place? We spoke with director Sean San José to take a deeper look at the inspiration and creative process behind Block by Block.

Sean San  Jose

Photo by Adrian Arias

To Honor the Dead While Serving the Living

On Armistice Day in 1924, the California Palace of the Legion of Honor opened its doors to the public. Dedicated to the 3,600 California soldiers, sailors and marines who gave their lives during World War I, the Legion of Honor pledged to “honor the dead while serving the living.”

Today, we not only celebrate the sacrifices of countless servicemen and women, but also the 87th birthday of the Legion of Honor Museum. To commemorate this meaningful day, we hope you enjoy this selection of related artwork.

FRAME|WORK: A Māori cloak

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.

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