During the second half of the 19th century, the face of European art history was altered by artists on both sides of the English Channel. This week’s FRAME|WORK features Le Banc de Jardin (The Garden Bench ), a print by French artist James Tissot, who was as at home with the Victorian avant-garde in London as he was with the Impressionists in Paris. This print is currently on display in Gallery 18 at the Legion of Honor and Tissot’s painting also appears in the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a painting by Johnny Warangkula Tjupurrula, a member of the Papunya Tula artist collective. Children’s story (water dreaming for two children) is currently on loan to Australia's National Gallery of Victoria.
April 4, 2012
The exhibition Matter + Spirit: The Sculpture of Stephen De Staebler is on view at the de Young Museum through May 13. Stephen De Staebler’s widow, the artist Danae Mattes, worked closely with the Museums on this exhibition and its accompanying catalogue. She shares with the Museums’ managing editor of publications, Leslie Dutcher, some of her impressions of Stephen De Staebler’s work and her collaboration with him.
April 2, 2012
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature two exquisite 18th-century French liturgical vestments, a chasuble and a dalmatic, from the Museums’ permanent collections. Unfortunately, these garments are not currently on view, but please enjoy this exclusive virtual viewing!
March 28, 2012
On Sunday night, millions of viewers tuned in to watch the much-anticipated season premiere of AMC’s Mad Men. Set in 1960s New York, Mad Men follows the careers and lives of Madison Avenue advertising executives as they negotiate the changing landscape of that mythologized decade. Currently on view at the de Young are three exhibitions that tap into this tumultuous time period: Arthur Tress: San Francisco 1964 (through June 3), New Dimensions: Prints and Multiples from the Anderson Collection (through July 1) and Matter + Spirit: The Sculpture of Stephen De Staebler (through May 13).
March 27, 2012
FRAME | WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a finely crafted work of European decorative art from 17th-century Florence, currently on display in Gallery 5 at the Legion of Honor.
March 21, 2012
Last month we featured John Roddam Stanhope’s Love and the Maiden in FRAME|WORK, which served as the first in a series of blog posts that will demonstrate key elements of the Aesthetic Movement through this singular painting. In this installment, curatorial assistant of European art Melissa Buron examines how Stanhope's use of tempera paint contributed to the aesthetic of the Victorian avant-garde.
March 16, 2012
Last weekend marked the one-year anniversary of Japan’s tragic earthquake and tsunami. Today marks the birthday of Jennifer Bartlett, whose opus, At Sea, Japan, was inspired by Japanese artistic traditions and is highlighted in this week’s FRAME | WORK . This work is currently not on view, so we hope you enjoy At Sea, Japan as we reflect on Japan’s recovery and resilience.
March 13, 2012
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exquisite bas-relief of a gift bearer from ancient Persia, currently on view in the Hall of Antiquities at the Legion of Honor.
March 6, 2012
Arthur Tress: San Francisco 1964 opens tomorrow at the de Young. Although the primary subject of the exhibition is the city we call home, many of the locations represented in the pictures were difficult to pin point. During his preparations for the exhibition, curator James Ganz tried to track down some of the more mysterious sites portrayed, which resulted in a San Francisco adventure of his own.