Blog Category: Exhibitions

Mark Garrett Will Work for Art!

Will Work for Art introduces you to the people who make the Fine Arts Museums work. Today, we visit the Achenbach Foundation for Graphic Arts where we meet Mark Garrett, a senior museum technician. Originally from Tennessee, Mark has been with the Museums for 23 years!

Mark Garrett

Read more »

Man in the Mirror

Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.

Read more »

Designing Arthur Tress: San Francisco 1964

This weekend marks your last chance to experience the special exhibition Arthur Tress: San Francisco 1964, on view at the de Young until June 3. As book designer and guest blogger Martin Venezky aptly notes, the catalogue represents a lasting impression of an otherwise temporary exhibition. Today, Venezky shares with us the process behind the creation of this unique publication.

The catalogue for the special exhibition Arthur Tress: San Francisco 1964 provides a nice case study into the inner workings of a book design. The book itself is deceptively simple. It contains reproductions of sixty-eight photographs from the exhibition, an essay, an interview, locations and credits, a foreword, and a set of additional images—some historical, some personal, and some working contact sheets. But beneath the seemingly placid surface there were hundreds of options to consider and decisions to make.

Cover

Read more »

FRAME|WORK: The Gold Scab: Eruption in Frilthy Lucre (The Creditor) by James McNeill Whistler

Although the special exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 (on view at the Legion of Honor through June 17) primarily features art by English artists, the impact of American expatriate James McNeill Whistler cannot be ignored. Whistler is best known for his subdued but complicated portraits—such as the world-famous Arrangement in Gray and Black No. 1 or “Whistler’s Mother”—but today’s FRAME|WORK highlights a rather unusual painting by this American in England. The Gold Scab: Eruption in Frilthy Lucre (The Creditor) is in the permanent collection of the de Young but is currently on view as a part of The Cult of Beauty

Frilthy Lucre

James Abbott McNeill Whistler (American, 1834–1903). The Gold Scab: Eruption in Frilthy Lucre (The Creditor), 1879. Oil on canvas. Gift of Mrs. Alma de Bretteville Spreckels through the Patrons of Art and Music. 1977.11

Read more »

Behind the Scenes at the Opening Night of artMRKT

For the past week, Max Fishko and company have been tirelessly converting the Concourse Exhibition Center from a cavernous abandoned train depot into artMRKT, San Francisco’s premier contemporary art venue. Tonight’s exclusive preview benefits the de Young and the Legion of Honor, so we thought we’d take you inside for a behind-the-scenes look at this remarkable transformation.

artMRKT

Read more »

Music, Muses and Divas in the Art of the Victorian Avant-Garde

Tomorrow, May 12, 2012, the Legion of Honor presents Music, Muses and Divas, public programs associated with The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view through June 17). Premier scholars of Victorian art Tim Barringer and Peter Trippi lecture on the complmentary topics of music and theater in the context of the Aesthetic Movement. We asked our lecturers a few questions about their respective talks to provide insight into the day’s presentations.

Saint Cecilia

John William Waterhouse, Saint Cecilia, 1895, oil on canvas. Private Collection

Read more »