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Blog Category: Exhibitions
Tonya Harding, eat your heart out.
A portrait of a scandal.
These might not appear to be the most pious folks—the fifth commandment concerning honoring your parents doesn’t appear to be high on these kids’ list. But read more about how Sir David Wilkie secretly sketched his fellow parishioners in church, and then used those drawings to populate his great painting, Pitlessie Fair from 1804.
The latest of our Scottish visitors, the excerpt below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
A drawing room with lilac walls and highly polished black floors—and a pile of props like top hats, opera cloaks, and fans. Read more about how Cadell used his spectacular living space to inject a little glamour into his portrait of our next Scottish vistor, Berthia Hamilton Don-Wauchope, the artist's 50-something neighbor from Edinburgh. The except below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
The next in our weekly series of Scottish visitors is Lady Agnew, who sat for John Singer Sargent at the age of 27. Her pose is "notably langorous," possibly because she was recovering from a period of nervous exhaustion at the time. The except below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
There’s a full cast of characters in Botticelli to Braque: Masterpieces from the National Galleries of Scotland—everyone from a Tahitian temptress painted by Paul Gauguin, to a rowdy Dutchman by Frans Hals. But there are also plenty of Scots, and once a week we'll highlight one of them by excerpting a section from the exhibition catalog, available for purchase in the Museum Store.
From our pen pals at the Getty: What J. M. W. Turner might have loved about the City of Angels. J. M. W. Turner: Painting Set Free, currently at the Getty, heads to the de Young on June 20; stay tuned for why we think Turner should have left his heart in San Francisco.
In 1987, Jane and Robert Meyerhoff announced their pledge to donate their art collection to the National Gallery of Art, including many of the works currently on view in the de Young’s special exhibition Modernism from National Gallery of Art. But before they were given to the nation, these works first made up a personal collection that the couple had built and lived with for many years.
Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.
In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.
The integration of art and beauty into every aspect of life was one of the foremost tenets of the Aesthetic Movement. Artists who subscribed to this ideal stepped outside of the confines of their medium of choice and experimented with all variety of design: painters became furniture designers and architects designed textiles. This week’s FRAME|WORK features two luscious tapestries from the Museums’ permanent collections included in the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view at the Legion of Honor through June 17). Created by Edward Burne-Jones for Morris & Co., Flora and Pomona exemplify the aesthetics of the Aesthetic Movement.
Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. Enter into the art historical word gallery, where we provide some definitions commonly used to describe artistic styles, techniques, or movements in art.
When you enter the exhibition Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection (on view at the Legion of Honor through October 2), you are immediately transported into the Dutch Golden Age.
Discover the women, the passion and the heartbreak behind Pablo Picasso’s work presented in Picasso: Masterpieces from the Musée National Picasso, Paris currently on view at the de Young. Behind every great artist, there is a muse. For Picasso, his romantic relationships provided inspiration for countless paintings, drawings and sculptures.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.
Friday Nights at the de Young feature lectures related to current exhibitions at the de Young. This Friday, June 17, Public Programs presents Spaniards in France: Cristóbal Balenciaga and Pablo Picasso, a lecture by Dr. James Housefield, a scholar of modern art and design at U.C. Davis. In preparation for this fascinating lecture, Dr. Housefield has graciously answered a few questions to pique your interest!
Museums, like the artworks they house, are constantly evolving. Expanding collections and audiences, outdated facilities, natural phenomena (like earthquakes), or changing building codes can all contribute to a museum’s decision to shutter its doors for lengthy renovations. One museum’s closure, however, is another's golden opportunity, as in the case of this museum! The de Young has recently benefitted from two important museum renovations in Paris: first, the Musée d’Orsay sent us two major exhibitions during its expansive renovations (Van Gogh, Gauguin, Cézanne, and Beyond and Birth of Impressionism) and now the Musée National Picasso brings us Picasso: Masterpieces from the Musée National Picasso, Paris opening this Saturday, June 11.
The art of Isabelle de Borchgrave is in itself a type of recycling. Inspired by sumptuous costume and textiles from the past, de Borchgrave recreates some of history’s most iconic fashions in the surprising medium of paper. Pulp Fashion: The Art of Isabelle de Borchgrave, on view at the Legion of Honor through June 12, displays paper outfits derived from those seen in European paintings, museum collections, photographs, sketches and even literary descriptions. De Borchgrave’s art practice seems particularly relevant in today’s conservation-minded climate in which “recycle and reuse” has become a mantra for artists and fashionistas alike.
Paper fashion was not always associated with such principled objectives. In the late 1960s, when de Borchgrave was just beginning her career, paper dresses captured the cultural zeitgeist not only for their pithy design and novelty, but specifically for their disposability.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums operate. Steven F. Correll is a Registrar who literally makes the "scene" possible by organizing and tracking artwork as it moves through the Museums. Originally from San Diego, CA and Ponca City, OK, Steve has been with the Museums for 4 years.
In 1996 construction workers accidentally uncovered a mosaic while widening a road in the modern Israeli town of Lod, near Tel Aviv. A preliminary excavation immediately conducted by the Israel Antiquities Authority (IAA) revealed that three feet below the modern surface there was a mosaic floor dating to about AD 300. The three most complete and impressive panels from the floor are on view at the Legion of Honor through July 24.
In 2005, Bay Area artist Kay Sekimachi gifted the museum a seminal work, a miniature book—The Wave. The Wave comes from her series of accordion books that were inspired by the Japanese artist Hokusai prints from his own series Hundred Views of Mt. Fuji. Woven in natural linen, Sekimachi used a painted-warp technique to imprint the repetitive pattern of the wave on the book’s covers and pages and a double-weave technique to create the accordion folds. The meditative quality of Sekimachi’s work belies the complexity of her techniques. Her work reflects a combination of influences— from the Japanese aesthetic comes her purity of form and reverence of nature and from her early Bauhaus training the control of geometry and symmetry, as well as, the exploration of the double-weave technique.
Jill D'Alessandro, Curator, Textile Arts
Yesterday morning FAMSF director John Buchanan and Musée d'Orsay president Guy Cogeval discussed the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay, which opens at the de Young Museum tomorrow, May 22, 2010.
In case you missed what some commenters are calling "the best Forum episode ever", you can stil listen online. In fact, we've embedded it in this very blog post! You can access it after the jump.
Birth of Impressionism runs through September 6, 2010. Later on that month, the de Young will host a follow-up show, Van Gogh, Gaugin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d'Orsay. That exhibition opens September 26 and runs through January 18, 2010.
In celebration of the final days of Tutankhamun and the Golden Age of the Pharaohs, we present an interview with Alameda resident Peter Solmssen about his work with the original King Tut exhibition in the 1970s.
During that time, Mr. Solmssen served in the State Department as deputy ambassador-at-large for cultural affairs, and played an instrumental role in bringing Treasures of Tutanhkamun to the United States.
FAMSF presents Amish Abstractions: Quilts from the Collection of Faith and Stephen Brown in the Caroline and H. McCoy Jones Textile Gallery at the de Young. The exhibition, which runs through June 6, 2010, features 48 full-size and crib quilts that showcase the diversity of the Amish quilt tradition. As an exhibition supplement, the textile education gallery is devoted to quilts and visitors of all ages are invited to create their own quilt patterns using wooden blocks.
Our newest podcast features FAMSF curator of ancient art and interpretation Renee Dreyfus, who talks about the 1979 Treasures of Tutankhamun exhibition and the current Tutankhamun and the Golden Age of the Pharaohs. Renee was on the curatorial team for the first Tut exhibition 30 years ago, and now heads up the FAMSF curatorial efforts for the current offering.