Blog Category: Community

The Invisible Man: Self-Portrait by Chuck Close

In 1972, Chuck Close came to Oakland’s Crown Point Press with the express goal of mastering the art of printmaking. The special exhibition currently on view in the Anderson Gallery at the de Young Museum, Chuck Close and Crown Point Press: Prints and Processes, examines this groundbreaking period in the artist’s career. In an earlier post, we discussed the mezzotint print Keith in the context of its 40th anniversary. Today, we take a closer look at Chuck Close’s Self-Portrait, completed in 1977.

Self-Portrait

Chuck Close (American, b. 1940). Self-Portrait (Black on White), 1977. Hard-ground etching with aquatint. Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation. 1996.74.65

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Art Animals at the de Young Summer Art Camp

It’s hard to believe that the last week of the de Young Summer Art Camp is already here. During this final week, the sixth floor studio turned into a zoo as guest blogger Alida Jekabson reports.

Goodbye summer camp

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A Vision of the Bay Invasion

Artist-in-Residence Tamar Assaf creates artwork articulating subtle social and ecological commentary on the environment. Her work raises awareness of the human influence on animals in the wild and how entire ecosystems function as a delicate balance of interdependencies. Throughout the month of August, Assaf invites visitors to engage in hands-on activities at the de Young as they experience her creative process of research, preparation, creation, and presentation of artwork. Today, Assaf takes us inside her artistic process.

In the field

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#MuseumOlympics Torch on Fire: A Story of Collaboration and Social Innovation

For the past two weeks, the world watched athletes from the world over compete and triumph in the 2012 Olympic Games. Meanwhile, museums the world over competed on Twitter in the tongue-in cheek competition #MuseumOlympics, which originated right here in San Francisco. Willa Köernerdigital engagement associate at SFMOMA and today's guest blogger, takes us behind the scenes of #MuseumOlympics and reveals the origins of what will surely become a new quadrennial tradition.

Taber Olympics

Isaiah West Taber (American, 1830–1912). Olympic Club Day, 1894. Gelatin silver print. California Midwinter International Exposition, through M.H. deYoung. 2502

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The Power of Painting and Printmaking at the de Young Summer Art Camp

Guest blogger Kelsey Linton takes us inside the de Young Summer Art Camp where we catch up with the Apprentices, Artisans, and Muses and Masters as they learn about this week’s theme, "The Power of Painting and Printmaking."

In gallery

The Apprentices kicked off the week by examining the color wheel and discussing different types of colors, color mixing, and tinting. Using this newfound knowledge, each apprentice then made his or her own wheel.

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Life with René

In 2010 longtime trustee Denise Fitch gave the Fine Arts Museums of San Francisco an extensive collection of drawings by her first husband, artist René Bouché (1905–1963). Bouché—who contributed illustrations to esteemed publications such as Vogue and Time Magazine—is the subject of the special exhibition René Bouché: Letters from Post-War Paris at the Legion of Honor. Friends with both Man Ray and Lee Miller, Mrs. Fitch and René Bouché led rich lives that sparkled with art, culture, humor, and glamour.

Bicycle

René Robert Bouché (French, 1905–1963). 139. La Parisienne 1945 from The Morning After: Paris, 1945. Pen, ink, and color wash on paper. Gift of Denise B. Fitch in memory of my late husband, René Robert Bouché (1905–1963). 2010.61.2.13.

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