This year amid the installations and exhibitions—the everyday blur of activity at the Museums—we’re excited to host Slow Art Day at the de Young and the Legion of Honor on Saturday, April 11. This is an entire day to make time for connections—between you and an artwork, you and an artist, or just between you and the current moment. The structure of Slow Art Day is simple: visit a museum, choose a work of art and spend five to ten minutes with it.
Blog Category: Community
The de Young brings you the world—in our galleries you might see a ceremonial knife from Mexico made of obsidian and turquoise, or a coffin from Ghana carved in the shape of a cocoa pod. At the 4th annual Fair Trade Bazaar at the de Young on Friday, July 25 and Saturday, July 26, you’ll have the opportunity to purchase goods made by artisans from all over the globe—from the windswept deserts of Mauritania to the craggy peaks of the Andes.
Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a painting by Johnny Warangkula Tjupurrula, a member of the Papunya Tula artist collective. Children’s story (water dreaming for two children) is currently on loan to Australia's National Gallery of Victoria.
With Friday Nights at the de Young on hiatus until March 30, 2012, we thought we’d take a moment to recognize some of our most dedicated supporters. Meet the Pelaez family, longtime museum members and intrepid fans of Friday Nights at the de Young. Parents Jenna and Steve along with their two kids, Payton, 7 and Aria, 5 have rarely missed a Friday Night in the past six years. We asked them what were some of the highlights from their weekly ritual.
Tomorrow, most of us will sit down with family and friends to enjoy a cornucopia of Thanksgiving comestibles that will leave many satiated to the point of sickness. In preparation, this week’s FRAME|WORK takes a closer look at Edward Weston’s Halved Cabbage, whose beauty and detail give new meaning to the concept of good taste.
Campo Santo, de Young Artist Fellow and award-winning resident theater company of Intersection for the Arts premieres Block by Block: The Pura Principle, its newest theatrical work, in the de Young's Koret Auditorium on November 17, 18, and 19. The performance is based on recent short stories and original writings by Pulitzer Prize-winning author Junot Díaz.
Block by Block brings back to the stage Díaz’s wild and beautiful voice. Sean San José, theater director for Campo Santo, has adapted Diaz’s writings to life in our city, bringing a multimedia San Francisco block party to the de Young.
Audiences will be taken on a journey through San Francisco, block by block. Actors, dancers, and musicians interpret six neighborhoods–downtown, the Fillmore, the Excelsior, Hunters Point, the Mission, and the Castro–in vignettes reflecting the unique rituals found in each of these culturally rich neighborhoods. Experience DJ battles with Felonious; dance-offs with Nicole Klaymoon and the Embodiment Project; the murals of the Mission with projected visuals created by acclaimed artists Favianna Rodriguez, Evan Bissell, and Ricardo Richey; the urban life and writings of Junot Díaz with the Campo Santo Street Team and DJ Wonway; and Susie Lund, who transports you with Subway Strutting to Carnaval.
Watch a preview here.
How did we arrive at this place? We spoke with director Sean San José to take a deeper look at the inspiration and creative process behind Block by Block.
On Armistice Day in 1924, the California Palace of the Legion of Honor opened its doors to the public. Dedicated to the 3,600 California soldiers, sailors and marines who gave their lives during World War I, the Legion of Honor pledged to “honor the dead while serving the living.”
Today, we not only celebrate the sacrifices of countless servicemen and women, but also the 87th birthday of the Legion of Honor Museum. To commemorate this meaningful day, we hope you enjoy this selection of related artwork.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.
“I think of art and painting as a journey, not simply a destination.”—Ken Campbell
Artist adventures! There are so many places to explore in the museum, and so many materials to experiment with in the studio!
“One must always draw, draw with the eyes, when one cannot draw with a pencil. “—Balthus
The Drawn to Drawing week of summer camp at the de Young was very exciting! Read on to learn about the master artists’ experience (8–9 year olds).
Drawn to Drawing introduced the young artists to new materials, new ways of defining what a drawing is and new ways of looking at the museum’s collection.
The artists were captivated by different materials and tools. Each artist had a sketchbook, which over time with new additions and explorations, told a story about their art making experience during the week.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums operate. Steven F. Correll is a Registrar who literally makes the "scene" possible by organizing and tracking artwork as it moves through the Museums. Originally from San Diego, CA and Ponca City, OK, Steve has been with the Museums for 4 years.
FRAME|WORK is a new weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature a landscape painted by one of our marquee artists, Wayne Thiebaud.
It is with great sadness that the Fine Arts Museums of San Francisco mourn the passing of Merle Greene Robertson. A legend in the world of Mesoamerican studies and Maya epigraphy, Robertson has been a friend and consultant to the Museums for decades. She generously donated many of her unique rubbings made from the monuments of Chichen Itza, a large Maya center that flourished on the Yucatan Peninsula of Mexico after AD 800. These rubbings provide clear renderings of detailed Maya stone carvings and are an important aspect of the Museums' Mesoamerican holdings.
This summer, make your kid an artist—join us for art camp at the de Young Museum!
In 2009, senior registrar Stephen Lockwood came across a series of ledger books while examining the de Young’s offsite storage facility. These antique books contained detailed records of the weather and daily attendance at the de Young since its opening day in 1895. One entry was particularly interesting:
Last Friday, ArtPoint hosted a ghoulish costume gala at the Legion of Honor. Hundreds of art enthusiasts braved the Richmond fog to dance the night away in tribute to Halloween and the opening of Very Postmortem: Mummies and Medicine. The exterior columns of the Legion looked spooktacular with purple and blue lighting. As guests made their way to the entrance, creepy music played from the dark corners of the Court of Honor.
Community Mural: Legend of Ilakavetega
By Martin Morububuna
Once upon a time there lived Ilakavetega and her two granddaughters. Every day the granddaughters went out to the beach to fetch saltwater for the grandmother. The Boi bird would come to the girls and would sit on the rock and talk to them, and would even say things about their grandmother.
Todd and Meklit at home in the Kimball Gallery
The Fine Arts Museums solicit California artists and art groups to create site specific works and installations in response to the de Young's permanent collection, temporary exhibitions, or the building and its environment